Zero to 180 – Three Minute Magic
From Wax of Stacks — David Bottoms‘ expansive history of Cincinnati’s record labels including, most prominently, King — we learn that recording engineer Lee Hazen generously provided the author a copy of an audio recording of a meeting that had been convened at King Records‘ Cincinnati headquarters by its founder/owner,
Note: Spotify playlist at the end of this piece Music writer/historian, Randy McNutt, in King Records of Cincinnati, points out the irony of “How You Gonna Get Respect (When You Haven’t Cut Your Process Yet)” – a Hank Ballard single “obviously aimed at the R&B market” – being voiced by mostly white
In the early part of this century, reissue label, Hip-O, put out a comprehensive series of James Brown single releases that were issued from 1956-1981. Historians & researchers will no doubt be studying these liner notes in decades to come as they try to organize and make sense of the
Beau Dollar & The Dapps – according to Dave Thompson‘s history simply entitled, Funk – were the resident band at Cincinnati’s Living Room night club “when they were discovered by James Brown” in 1965. Cincinnati music writer and producer, Randy McNutt, on the other hand, asserts in his King Records
Triple Threat – the debut album by jazz multi-instrumentalist Roland Kirk – was originally released on the King label in 1956, rereleased on Bethlehem as Third Dimension, and on the Affinity label as Early Roots. Kirk on tenor sax, stritch, manzello, & siren (!), with James Madison on piano, Carl
*Musical personnel info updated January 2023 Of course, no discussion about Cincinnati in song would be complete without a reference to the city’s storied indie label that helped give birth to rock & roll music – King Records. September 14, 1967 may not be a date that registers strongly in
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