Zero to 180 – Three Minute Magic
This chronology of recordings issued on King Records and its associated labels documents the various Latin-American musical influences on King’s collective output, beginning in the late 1940s. .While Latin sounds have never been a driving force at King, it is nevertheless surprising to see the range of Latin musical styles
JazzTimes‘ Christopher Porter, amusingly, conducted his interview with bass legend, Keter Betts, at Silver Spring, Maryland‘s humble 9-hole Sligo Creek Golf Course due to its proximity to both Betts’ home and JazzTimes‘ editorial office. .From Porter’s 2002 JazzTimes piece, I learned that — Photo: Discogs Hinton initially met Betts in
I am liberating a special series of “maxi-tweets” tied to King Records‘ lesser known jazz legacy that were otherwise buried in a PDF file attachment — part of 2018’s King 75th Birthday Celebration so wonderfully organized by Brian Powers of Cincinnati Public Libraries. The following research was conducted primarily by
From what I can tell, Norman Mapp only released one album as a vocalist – 1961’s Jazz Ain’t Nothin’ But Soul on the Epic label, an imprint of almighty Columbia Records (plus a 45 the preceding year “Fools Rush In” b/w “Whistling At The Moon” on Jaro International). As a
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