Zero to 180 – Three Minute Magic
Tennessean synthesist, Gil Trythall, creates his own one-man electronic bluegrass band when he and his Moog synthesizer pay a visit to the Grand Ole Opry to shake up the Nashville musical establishment on “Nashville Moog” from 1973: “Nashville Moog” Gil Trythall (1973) “Nashville Moog” – from Trythall’s second album, Nashville Gold:
The rap on The Monkees I remember growing up was that “they didn’t play their own instruments.” While it is often true that seasoned session players provided much of the musical backing behind the Monkees’ vocal tracks, it is inaccurate and unfair to say that the Monkees didn’t bring their
How nutty to release 12 albums of Moog synthesizer music simultaneously, one for each sign of the Zodiac. And yet Mort Garson somehow convinced A&M to do so in 1969 – “I Know You Aries,” the lead-off track on the Aries LP, could have been the A-side of a 45:
During the 1970s when progressive rock, pop and soul were at their peak, a number of wizard keyboardists enjoyed superstar status: Rick Wakeman, Keith Emerson, Stevie Wonder, Jan Hammer, Billy Preston, Jon Lord, Bernie Worrell. And Sir Christopher Scott. The liner notes for Sir Scott’s 1970 Decca LP, More Switched
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