Zero to 180 – Three Minute Magic

Discoveries of a Pop Music Archaeologist

Tag: Les Asch

Bud Hobgood
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Bud Hobgood – A Life In Music

From Wax of Stacks — David Bottoms‘ expansive history of Cincinnati’s record labels including, most prominently, King — we learn that recording engineer Lee Hazen generously provided the author a copy of an audio recording of a meeting that had been convened at King Records‘ Cincinnati headquarters by its founder/owner,

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Cincinnati (OH-KY-IN tri-state area)
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King Records — In a Nutshell

What a revelation to find out that World Radio History‘s website not only allows access to a comprehension collection of music trade publications, including Billboard, Cash Box, and Record World, but also the ability to search all back issues simultaneously! What’s especially helpful is how the search results often show

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Beau Dollar
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The Dapps at King Records

Note:  Spotify playlist at the end of this piece Music writer/historian, Randy McNutt, in King Records of Cincinnati, points out the irony of “How You Gonna Get Respect (When You Haven’t Cut Your Process Yet)” – a Hank Ballard single “obviously aimed at the R&B market” – being voiced by mostly white

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Bethlehem Records
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King’s Jazz Legacy: Maxi-Tweets

I am liberating a special series of “maxi-tweets” tied to King Records‘ lesser known jazz legacy – part of 2018’s King 75th Birthday Celebration – that were otherwise buried in a PDF file attachment.  The following research was conducted primarily by scanning the index of Ruppli‘s 2-volume King recording session

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"Darling (I Miss You So)"
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Bernard Purdie at King Records

Zero to 180 is thrilled to learn that two titans of funk who both recorded for King – Bernard ‘Pretty‘ Purdie and William ‘Bootsy‘ Collins – are teaming up for a set of new recordings.  In accordance with this event’s historical significance, the Mayor of Cincinnati, John Cranley, recently paid tribute to

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"The Soul of JB"
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The Duel: Organ vs. Sax

In the early part of this century, reissue label, Hip-O, put out a comprehensive series of James Brown single releases that were issued from 1956-1981.  Historians & researchers will no doubt be studying these liner notes in decades to come as they try to organize and make sense of the

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"The Rabbit Got the Gun"
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Ohio Funk Invades France

Beau Dollar & The Dapps – according to Dave Thompson‘s history simply entitled, Funk – were the resident band at Cincinnati’s Living Room night club “when they were discovered by James Brown” in 1965.  Cincinnati music writer and producer, Randy McNutt, on the other hand, asserts in his King Records

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"Soul Serenade"
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“Soul Serenade”: Beau Dollar + Coins

Seems like everyone’s covered “Soul Serenade” – so why does no one play it on the radio?  Don’t you think it’s about time for this tune to be rediscovered? “Soul Serenade“ Beau Dollar & the Coins (1966) This irresistible instrumental was produced by Lonnie Mack, one-time musical compatriot of Roger

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"Help Me Over"
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Roger ‘Jellyroll’ Troy: Soul Rocker

Roger Troy‘s band, Jellyroll – as we learned from the previous piece – had inked a contract with Kapp Records around the same time Rick Powell and Wayne Perry enlisted Troy’s help on their “Pain” b/w “Gonna Have a Good Time” single.  Troy would co-write the flip side of the

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"Gimme the Green Light"
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Cincinnati’s Bubblegum Soul

Randy McNutt gives a first-hand account of Cincinnati‘s local recording scene in the liner notes to his CD compilation Souled Out:  Queen City Soul-Rockers of the 1970s: “[Lonnie] Mack‘s 1963 hit “Memphis” and “Wham!” [on Cincinnati’s Fraternity label] had started a local fascination with blues-rock — a combination of the

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