Zero to 180 – Three Minute Magic

Discoveries of a Pop Music Archaeologist

Tag: Hal Blaine

"Diamond"
Zeroto180

Paul Beaver Played Clavinet, Too (plus Emil Richards Tribute)

Remember last month when I was hot on the trail of identifying the first recording of a clavinet, thanks to a tip from Jim Kimsey:  “Six O’Clock” by John Sebastian & The Lovin’ Spoonful?  Was John Sebastian‘s “electric harpsichord” (as he referred to the instrument), in fact, a clavinet?  Sebastian

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"Mississippi"
Zeroto180

“Mississippi”: Pickwick Would Never Try to Mislead the Public

I remember as a kid learning the hard way about albums disguised as hits collections that were, in fact, faithful renderings by some shadow studio group.  Soundalike LPs, if you will.  Case in point:  18 Golden Hits of 1970.  The singers and musicians who did their best to mimic the

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"Sky and Sea"
Zeroto180

“Sky And Sea”: 5D’s Jazz Vocal Instrumental II

Two years following sunshine pop’s progressive peak, The 5th Dimension would once again explore wordless vocal jazz — “Sky And Sea” from 1972’s Individually and Collectively, their fourth album for Bell: “Sky And Sea“ The 5th Dimension (1972) LP Musician & Production Credits Billy Davis, Jr. – Vocals Florence La

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"Sweets for My Sweet"
Zeroto180

“Sweets for My Sweet”: Unattributed Artist

Imagine browsing through a bunch of old records and finding a cover whose only text was a title – “Bubble Rock is Here to Stay” – and an encircled statement that whimsically declared, “There is no artiste on this album – the songs are the stars.” Only when you pull

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"Dimension 5ive"
Zeroto180

“Dimension 5ive”: Sunshine Pop’s Progressive Peak?

There’s something special about the song, “Dimension 5ive” by The 5th Dimension.   Lush vocals from start to finish — and yet it’s technically not a “vocal” tune, as there are no lyrics.  Yet, neither is it an instrumental. This song is the closing track on the 5th Dimension’s 1970 album,

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