Zero to 180 – Three Minute Magic

Discoveries of a Pop Music Archaeologist

Tag: Grady Martin

60s/70s rock +/- pop
Zeroto180

Buffy Sainte-Marie — 97 Men (Likely More) Don’t Call Her Honey

In 1963, Buffy Sainte-Marie had the courage to speak out against an undeclared war in which the United States had conscripted 16,000 troops to serve as “advisors,” and consequently, was banned from singing “The Universal Soldier” on US radio and TV until 1965. It is curious to see which countries

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Bob Wills & the Texas Playboys
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Gary Burton’s Tennessee Firebird

Jimmy Colvard was a teen in 1963 when he played those distinctive snapping and popping guitar sounds that helped make “Six Days on the Road” a runaway hit for Dave Dudley.  I have since learned that Colvard played guitar on a number of albums in the 1960s and 70s by

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"Devil's Dream"
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The Cherokee Cowboys: Proven Band

Thanks to the late, great Charlie Coleman for singling out Ray Price’s redoubtable backing band, The Cherokee Cowboys and their 1965 Columbia debut (and sole) release — check out Buddy Emmons’ hot jazz steel guitar solo on “Devil’s Dream,” the kick-off tune from Western Strings: “Devil’s Dream” The Cherokee Cowboys

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"The Fuzz"
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“The Fuzz”: Strictly B-Side

I’m guessing that Grady Martin‘s 1961 B-side “The Fuzz” influenced Les Paul to soup up his 1963 album track “Ham ‘N Grits” with a little “fuzz bass”: “The Fuzz” Grady Martin (1961) The historical consensus is that Grady Martin himself accidentally invented “fuzz bass” during a 1960 recording session for

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"All the Things You Are"
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“All the Things You Are”: West Coast Jazz from … Hank Garland?

Fascinating to consider that Mr. “Sugarfoot Rag” himself, Hank Garland, would go on later to record one of the smoothest, coolest West Coast modern jazz albums — in fact, the very same one that inspired George Benson.  Check out the kick-off tune: “All the Things You Are“ Hank Garland Quartet

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"No Expectations"
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“No Expectations”: Joan Baez Covers the Stones, Man

Joan Baez – with the very able assistance of Nashville’s finest sidemen – produced a soulful and tastefully understated cover of a classic Rolling Stones tune from their Beggars Banquet album: “No Expectations“ Joan Baez (1970) Baez’s version of “No Expectations” was included on 1969’s One Day at a Time (Vanguard) and

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"Springfield Guitar Social"
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“Springfield Guitar Social”: Who’s Who of Guitar Wizardry

If you’re pressed for time but curious to know more about the stringed instrument masters who inspired and laid the groundwork for the the classic rock generation to come, here is a two-and-a-half minute Cliff Notes guide that demonstrates Thumbs Carllile‘s uncanny ability to play in the style of such

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"Pork Chop Stomp"
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1954: An Explosive Year for Music

We all know that 1954 was the year of Elvis Presley’s famous and influential Sun recordings, but 1954 was also highly noteworthy for the combined impact of these three particular tunes – all instrumentals: 1.  “Stratosphere Boogie” by Speedy West & Jimmy Bryant – Phenomenal, blazing twin guitar work — rock

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