Zero to 180 – Three Minute Magic

Discoveries of a Pop Music Archaeologist

Tag: Frank Sinatra

12-inch singles
Zeroto180

Vinyl Curiosities — Summer Beach Read ’22

Vinyl: The Art of Making Records by Mike Evans (2015) provides the launching point for this summer’s beach bonanza of offbeat and occasionally useful music history trivia — lavishly illustrated with streaming audio and hyperlinks for maximum multimedia impact. Italicized text comes directly from this book. Birth of Recorded Sound

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"Spooky"
Zeroto180

George Barnes’ Halloween Guitar

George Barnes recorded a boss guitar instrumental – “Spooky” – that should be part of everyone’s Halloween soundtrack: “Spooky” by George Barnes (1962) Billboard conferred three stars (“moderate sales potential) upon this B-side, as well as its A-side “Trainsville,” in their June 23, 1962 edition.  Exactly fifty years later, in 2012, someone would

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"Life's a Trippy Thing"
Zeroto180

Nancy & Frank Sinatra’s Trippy 45

Nancy and Frank Sinatra‘s “Life’s a Trippy Thing” from 1970 is the only song title that registers in 45Cat when you keyword search the database using the word “trippy” — and yet, ironically perhaps, the song delights in singing the praises of sober living while reveling in the use of

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"Diamond"
Zeroto180

Paul Beaver Played Clavinet, Too (plus Emil Richards Tribute)

Remember last month when I was hot on the trail of identifying the first recording of a clavinet, thanks to a tip from Jim Kimsey:  “Six O’Clock” by John Sebastian & The Lovin’ Spoonful?  Was John Sebastian‘s “electric harpsichord” (as he referred to the instrument), in fact, a clavinet?  Sebastian

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"Countryside"
Zeroto180

“Countryside”: Jim Henson’s Word Jazz

Would love to know how Jim Henson, so early in his career, was able to get Frank Sinatra to conduct the orchestra backing him on his first single, a playful word jazz piece entitled, “The Countryside“: Jim Henson’s first (and only) solo 45 Released January 1960 on Signature Records “Tick-Tock-Sick“,

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"Celeste"
Zeroto180

“Celeste”: Makes a Tinkly Sound

In this black & white solo performance, Donovan tells us that “Celeste” is just a “pretty girl’s name” — but I respectfully disagree.  I find Donovan’s original 1966 studio recording “Celeste” to be a particularly effective one in capturing a certain incipient sound (and let’s be honest, I think much

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