Zero to 180 – Three Minute Magic
George Barnes recorded a boss guitar instrumental – “Spooky” – that should be part of everyone’s Halloween soundtrack: “Spooky” by George Barnes (1962) Billboard conferred three stars (“moderate sales potential) upon this B-side, as well as its A-side “Trainsville,” in their June 23, 1962 edition. Exactly fifty years later, in 2012, someone would
Earl ‘Joaquin‘ Murphey (who co-wrote yesterday’s featured song “Steel Guitar Jubilee“) is held in very high esteem among steel guitarists, with one performance in particular — “Oklahoma Stomp” by Spade Cooley’s Orchestra — almost single-handedly cementing his reputation (Bob Dunn, notwithstanding) as the first “sophisticated jazz steel guitar player,” as
Just as Louis Jordan’s pairing of jump blues with country-style steel guitar might have been seen as a radical move in 1947, Buddy Emmons‘ decision to feature his masterful steel guitar stylings within a modern jazz context was considered equally bold in 1963 when Mercury released groundbreaking album, Steel Guitar
I had a nice laugh when I realized that this fiery little instrumental in the key of C was, indeed, not the world’s first waltz to be played outside of 3/4 time but instead an error in the track listing on the album jacket. Thus, despite this song being listed as
DC Week (actually, fortnight) concludes its special run with a joyous instrumental romp from the Federal City’s formidable guitarslinger, Danny Gatton, joined by pioneering pedal steel virtuoso, Buddy Emmons, from their short-lived incendiary partnership, The Redneck Jazz Explosion: “Raisin’ the Dickens“ Redneck Jazz Explosion (1978) This performance of Buddy Emmons‘ composition
Guitarist Billy Byrd – according to Ernest Tubb‘s biographer, Ronnie Pugh – ”came from a pop and jazz background, and there were some people who were leery of the notion that he could play country with Tubb. [But] he did it and did it well. The ten years Billy was
Perhaps it’s not fair to single out a backing band in country music, since there are so many outstanding ones — The Texas Playboys, The Cherokee Cowboys, The Drifting Cowboys, The Golden West Cowboys, The Brazos Valley Boys, The Western Caravan, The Buckaroos, The Strangers, The String Dusters/Pleasant Valley Boys
Reissue label Razor & Tie did a public service in 1999 when they rescued a wonderful instrumental that had remained unissued for over 30 years – just sitting on a master tape of a 1965 Nashville recording session by country singer, Ferlin Husky. Very little is known about the musicians
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