Zero to 180 – Three Minute Magic
Zero to 180’s sprawling history trawl “Rare & Unreleased King” made passing reference to another surf-ploitation LP issued by King Records – 1963’s Surfin’ on Wave Nine – and even threatened to make that album the focus of a future history piece … whose time has come today. Compared to Look Who’s
In the course of sleuthing, I stumbled upon a King surf cash-in compilation from 1964 that, upon closer inspection, revealed a trio of “mystery bands” — The Surf Jumpers, The Wild Kats and The King Surfers — that are mysteriously absent from Ruppli’s otherwise fairly comprehensive 2-volume discography of King
How humorous to browse a chronological listing of Waylon Jennings albums starting in 1964 – eleven on RCA by my count, following his debut LP At JD’s – when out of nowhere, A&M suddenly decides to issue its first and only album by Jennings, long after his brief run of singles (1963-65)
ABC once broadcast a 4-part television special in 1960 called The Frank Sinatra Timex Show: Welcome Home Elvis. This was to be the hip-swiveler’s first television appearance in three years since being discharged from military service. Poster art by Al Hirschfeld, yes? At one point, Elvis threatens to get upstaged
I remember as a kid learning the hard way about albums disguised as hits collections that were, in fact, faithful renderings by some shadow studio group. Soundalike LPs, if you will. Case in point: 18 Golden Hits of 1970. The singers and musicians who did their best to mimic the
The soundtrack album to 1969’s notorious biker film, Cycle Savages (starring Bruce Dern) remained out-of-print until reissued on CD in 2012. This album contains rare cuts by cult psych bands Orphan Egg and The Boston Tea Party – with the latter contributing standout track, “Chained to Your Heart,” a blue-eyed
In 1975 — the same year Gusto Records acquired Starday-King Records from Leiber and Stoller’s Tennessee Recording and Publishing — Gusto released an album entitled Freddy Fender – Recorded Inside Louisiana State Prison. I suspect Gusto might have been trying to capitalize on the popularity (as well as notoriety) of
Along with “Hit the Surf” by The Sea Shells (previously celebrated here), “Last Wave of the Day” by The Riptides – from the Mondo Hollywood soundtrack album – is another late surf-era track from 1967 that begs the question: who recorded the last original era surf tune and when? Important
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