Zero to 180 – Three Minute Magic
Jimmy Colvard was a teen in 1963 when he played those distinctive snapping and popping guitar sounds that helped make “Six Days on the Road” a runaway hit for Dave Dudley. I have since learned that Colvard played guitar on a number of albums in the 1960s and 70s by
Zero to 180’s sprawling overview of King Records‘ rare and unissued recordings made reference to Wild Goose‘s “surprisingly adventurous ‘Flyin’ Machine‘ which features trippy sounds at the opening and closing, as well as harmony guitar lines during the middle instrumental break” — thank you to the YouTube contributor who uploaded a
This week we said goodbye to Buddy Emmons, one of the world’s great musicians and subject of three prior Zero to 180 pieces. Here is but a *45-second live demonstration (beginning to end) of Buddy Emmons’ singular genius with the pedal steel guitar: “Four Wheel Drive” (live) Buddy Emmons (1965)
Now that I no longer live in the Ohio Valley but the Sligo Creek Valley watershed (which drains into the Anacostia, a tributary of the Potomac), I thought it would be interesting to search 45Cat’s singles database for any songs with the word “Sligo” in the title. Surprise! That elite
DC Week (actually, fortnight) concludes its special run with a joyous instrumental romp from the Federal City’s formidable guitarslinger, Danny Gatton, joined by pioneering pedal steel virtuoso, Buddy Emmons, from their short-lived incendiary partnership, The Redneck Jazz Explosion: “Raisin’ the Dickens“ Redneck Jazz Explosion (1978) This performance of Buddy Emmons‘ composition
Joan Baez – with the very able assistance of Nashville’s finest sidemen – produced a soulful and tastefully understated cover of a classic Rolling Stones tune from their Beggars Banquet album: “No Expectations“ Joan Baez (1970) Baez’s version of “No Expectations” was included on 1969’s One Day at a Time (Vanguard) and
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