Zero to 180 – Three Minute Magic

Discoveries of a Pop Music Archaeologist

Tag: Bobby Smith

"Bad Girl"
Zeroto180

Bobby Smith’s King Productions 1963-1965

[This piece updated with new content in 2024] LINK to companion piece – Bobby Smith’s King Productions 1966-1973 Ruppli‘s King Labels discography is a 2-volume reference set that can be hard to make sense of initially, given all the subsidiary labels and various quirks in its numbering systems, among other things.

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Afro-Cuban +/- Latin jazz
Zeroto180

Lord Thunder: Final Deluxe 45?

Browsing DeLuxe releases in chronological order in Discog’s database, Lord Thunder‘s “Thunder” from 1975 appears to be the last gasp of Starday-King: “Thunder” Lord Thunder (1975) But wait:  1975 sounds much too late in the post-Syd Nathan saga for a new production to come out of the Starday-King studios, especially

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"Hey People"
Zeroto180

Coldwater Army on S-K’s Agape

Billboard posted this glowing review of Coldwater Army‘s debut album on Agape, a subsidiary label of Starday-King, in their July 10, 1971 edition: This is quite an extraordinary first record for a group.  It features some of the tightest arrangements heard in a while and vocals that flow well with the

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Bobby Smith
Zeroto180

Bobby Smith’s King Productions 1966-1973

– This piece updated with new content in 2024 – LINK to companion piece – Bobby’s Smith King Productions 1963-1965 Bobby Smith, we now know, had been commissioned by Syd Nathan to build a recording studio in Macon, Georgia, the adopted hometown of King Records’ biggest star, James Brown.  Thomas Goodwin

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"Going Back to Alabama"
Zeroto180

Mickey Murray LP II: Released?

Soul singer Mickey Murray recorded only two full-length albums over the course of his career — one for SSS International, 1967’s Shout Bamalama & Super Soul Songs  (the label’s first hit for Shelby Singleton), and the other, entitled People are Together, for King subsidiary Federal Records in 1970.  People Are Together

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"Shout Bamalama"
Zeroto180

Bethlehem Records: Post-Syd

Syd Nathan ended up acquiring jazz label, Bethlehem Records, in a series of strategic moves over the course of years — so when exactly can Syd Nathan take credit for shaping the music released on that label?  Unfortunately, that’s a question that each person has to answer for him/herself.  I

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