Zero to 180 – Three Minute Magic
Yesterday’s piece about London’s Chalk Farm Studios omitted the fact that this recording facility had actually begun life as Rayrik Sound – established in 1964 by Bruce “Ray” Rae and Caro “Rick” Minas. And although Clapton and Cream’s debut album had been recorded at Rayrik two years later, the studio
Vintage Guitar‘s well-researched history of the Vox musical equipment company contains a particularly delightful side story about “wee” instruments that were designed and manufactured strictly for marionettes! Peter Stuart Kohman has the scoop: One of the most oddball Vox orders was for a set of miniature equipment for singing puppets, specifically,
Victor Uwaifo‘s double-neck “magic guitar” with 18 strings immediately brings to mind Andy Tielman and his 10-string guitar. I suspect that many if not most Americans are unfamiliar (as I was) with The Tielman Brothers, a band of siblings from the Netherlands by way of Indonesia. But check out this
“Surf Finger,” such an obvious candidate for the A-side of a 45, alas, was never issued on wax and seems only to have surfaced with the release of Ace’s 2006 CD anthology, Hard Workin’ Man – The Jack Nitzsche Story Volume 2: “Surf Finger“ Jack Nitzsche (1966) Video above features
In 1962 Capitol Records released a Roy Clark instrumental LP entitled, The Lightning Fingers of Roy Clark. Given the year of release, Roy shows amazing restraint by limiting to three the number of songs whose titles end with the word “Twist.” One obvious album highlight is Roy’s version of Hank
Even if only for his pioneering production work with one of my guitar heroes, Duane Eddy (e.g., using a gigantic grain tank as an echo chamber), let it be known that Lee Hazlewood, while himself not a hotshot guitarist, co-wrote some of Eddy’s best tunes (including half of his excellent
Tonight I was supposed to have seen George Jones play in Lancaster, PA as part of his Farewell Tour, but unfortunately, “The Possum” departed this earthly plane on April 26th. Somehow I will have to make do with his recordings — such as this one: “I’ve Got Five Dollars And
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