Zero to 180 – Three Minute Magic

Discoveries of a Pop Music Archaeologist

Johnny Seay Asks That You Not Look Behind His Baby’s Bedroom Door

In July of 1967, one month after the release of Bobbie Gentry’s Ode to Billie Joe album, Johnny Seay went into Columbia’s Nashville recording studio to record one song — a singularly strange, slightly surrealistic Southern gothic tale.   Listen for the ghostly train whistle near the end of the first verse, but under no circumstances should you look behind the bedroom door – you’ll be sorry:

Behind My Baby’s Bedroom Door

Johnny Seay (1967)

Columbia chose “Behind My Baby’s Bedroom Door” for single release, as well as include it in their 1968 sampler LP, Welcome to Columbia Country.  Cash Box‘s review in their September 2, 1967 edition:

Here’s a gripping, imaginative ballad called “Behind My Baby’s Bedroom Door” [written by Curly Putman] that could develop into a big winner for Johnny Seay. Look for it on the charts.  On the flip side, Seay offers a strong, tuneful blueser tabbed “If” that might also become a winner.  Watch both sides on this one.

Fascinating to hear the unmistakable influence of fellow Columbia artist, Bob Dylan.

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LINK to Bakersfield +/- Outlaw Country

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