Zero to 180 – Three Minute Magic

Discoveries of a Pop Music Archaeologist

Category: Psychedelic rock +/- pop

60s/70s rock +/- pop
Zeroto180

Arresting Ads From the Archives of Billboard, Cash Box, Record World & Beat Instrumental

[April 2023 update = streaming audio now included] From browsing back issues of the major music industry trade publications, I’ve discovered that Record World is refreshingly focused on just the music, and not, say, coin-operated amusements (i.e., Cash Box) or circuses, fairs, and the entertainment industry (Billboard). Beat Instrumental from

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"(Baby You Can) Scratch My Egg"
Zeroto180

Rusty York’s Cincinnati Indie Label

Billboard, in their January 8, 1972 edition, reported this quirky news item in the Cincinnati division of their “From the Music Capitals Around the World” column: Rusty York, who heads up the Jewel Recording Studio[s] here, learned last week that the new ‘Smash-Up Derby’ commercial [for Cincinnati-based Kenner Products], which he

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"Dirty Ol' Sam"
Zeroto180

King’s Dalliance with Psychedelia — Keith Murphy & the Daze

Keith Murphy & the Daze would help King Records expand its popular reach into the emerging “psychedelic” rock market (following the previous year’s foray into Jamaican ska via Prince Buster).  May of 1968 would find the release of King’s first “psych” 45 [as noted previously in “Rare & Unissued King“]

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"High Coin"
Zeroto180

Skip Battyn + Van Dyke’s Obscure 45

Not sure how this fascinating production – written and arranged by Van Dyke Parks and sung by Skip Battyn in the magical year of 1967* – came to my attention originally. “High Coin” by Skip Battyn  (1965) [*Wrong – recorded in 1965!  See comments attached at the end of this

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"Baby You Come Rollin' Cross My Mind"
Zeroto180

Peppermint Trolley: Clavinet ’67

It’s always a thrill when somebody who actually served on the front lines of music history reaches out to help fill in some of the historical gaps.  Just last month, Danny Faragher of the Peppermint Trolley Company chimed in on an earlier NRBQ piece that attempts to identify the earliest

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"Come Back to Me"
Zeroto180

Psych + Horns = The Gears

Doc Lehman‘s Bangagong! music blog has a poster for a “Festival of Bands” in Columbus, Ohio that took place in 1967 — 34 bands over the course of two evenings, admission just $1: Same Vox as in Vox Guitar-Organ & Vox Phantom guitars? Interesting to note that the first band

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"Never Play a B-Side"
Zeroto180

Sasha Caro’s B-Side of Irony

Yesterday’s piece about London’s Chalk Farm Studios omitted the fact that this recording facility had actually begun life as Rayrik Sound – established in 1964 by Bruce “Ray” Rae and Caro “Rick” Minas.  And although Clapton and Cream’s debut album had been recorded at Rayrik two years later, the studio

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"Space Walk"
Zeroto180

“Space Walk”: Psychedelic Vibes, Man

Paul ‘Ollie‘ Halsall, as previously noted, was one of the rare rock musicians to utilize the vibraphone – an instrument that is often confined to jazz and 1960s pop and northern soul, sadly.  The vibes, when placed in the right context, can add such gorgeous tonal color to a song,

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"Lament of the Astral Cowboy"
Zeroto180

“Astral Cowboy”: Not Enough Echo

Yesterday’s piece about Sagittarius (et al.) brought to mind one particular Curt Boettcher song that too few people have heard, 1969’s (demo only) “Lament of the Astral Cowboy” — one hundred forty mesmerizing seconds, each one of them echo-filled: Could this be what Gram Parsons had envisioned when he came

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"Sister Marie"
Zeroto180

“Sister Marie”: Not Meant for LP

“Sister Marie” – a great song that slipped between the cracks – found belated release as a bonus instrumental on the CD release of Sagittarius anthology Present Tense (1968 Columbia LP, originally): “Sister Marie” [demo] Sagitttarius (1968) According to the liner notes, Gary Usher recorded this backing track with Sagitarrius in mind

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