Zero to 180 – Three Minute Magic
<Click on song titles below for streaming audio> Shad O’Shea — one of Cincinnati’s last great “record men” — left a trail of 45s in the 1960s, 70s, and 80s under the publishing name, Counterpart Music. When you pull up all the cataloged items for Counterpart Music in Discogs and
In early 1967, a promising 45 by a Northern Kentucky band got called up to the big leagues, as reported by Billboard in its February 11, 1967 edition: * “Col. Buys ‘That Girl’ Disk by New Lime“ NEW YORK — Columbia Records has bought a new single, “That Girl,” by
I am struck by the number of Scotty Moore–produced 45s from the late 60s/early 70s that are not available for preview on YouTube due to their relative obscurity — most especially the rare Otis Redding tribute “We’re Gonna Miss You, Otis” b/w “Macon,” whose B-side was actually written by Moore,
One has to wonder whether the Columbus, Ohio combo – Purple Reign – sought legal counsel over the homophonic similarity of the band’s name with the title of Prince’s career-defining album (over 25 million sales worldwide to date) and movie from 1984, Purple Rain: “Wish You Didn’t Have to Go“
Thanks to “tymeshifter” at rateyourmusic for providing the back story on a single issued by Counterpart Records whose A and B sides were purchased (I’m shocked) by Laurie Records in 1968: Hurricane WV‘s The Mojos, who begat The Muffetts These guys were previously known as The Mojos from West Virginia.
Doc Lehman‘s Bangagong! music blog has a poster for a “Festival of Bands” in Columbus, Ohio that took place in 1967 — 34 bands over the course of two evenings, admission just $1: Same Vox as in Vox Guitar-Organ & Vox Phantom guitars? Interesting to note that the first band
According to Buckeye Beat, Shad O’Shea was instrumental in fashioning a local hit out of “The Only Thing to Do” by Cincinnati’s own The “Us Too” Group: Somehow the record got the attention of Counterpart Records Shad O’Shea (a.k.a. Howard Lovdal) who took an interest in ‘The Only Thing To
Things were starting to really heat up for Counterpart Records in 1967. “See What’s Right” by The Wyngates was followed by (1) a regional hit, “Hey Conductor” by Mark V (featuring Sonny Flaharty), that got picked up by Philips for national distribution and then (2) another promising 45 – “A
Northern Kentucky, who launched its own Music Hall of Fame in 2013, produced a pair of Nuggets-era garage rock classics: New Lime‘s “Perfect Girl” (magic blend of organ + vibes), as well as The Wyngates “See What’s Right,” both issued on Cincinnati’s Counterpart Records in 1967. Check out this archival
Louisville’s Soul Inc. is another music group from my hometown’s Ohio Valley region that recorded a local hit (“Love Me When I’m Down“) on a local label (Counterpart) that had been recorded locally (at Ray Allen‘s studio in Louisville perhaps?) and played on local AM hits radio station WSAI (thus,
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