Zero to 180 – Three Minute Magic
In retrospect, I now realize that Ed Goldstein was the first musician I knew personally to obtain formal permission to record another musical artist’s work. This was in 1992 — before the Internet would so much more readily facilitate this kind of information sleuthing — and I remember being somewhat
Phil Manzanera* squeezes off soulful guitar lines, particularly during the instrumental coda, on “Always Unknowing” – the flip side of Roxy Music‘s Top-20 hit from 1982, “Avalon“: This languid and forlorn Bryan Ferry composition (produced by the band, with Rhett Davies) remained a B-side for 20 years or so until
The mid-to-late 80s was an interesting time in popular music in that the children of the “classic rock” generation were just starting to come into their own. Ziggy Marley and Julian Lennon come prominently to mind, both having enjoyed hits with “Tomorrow People” and “Valotte,” respectively. In 1985 my college
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