Zero to 180 – Three Minute Magic

Discoveries of a Pop Music Archaeologist

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Category: Starday Records

"Blues Stay Away From Me"
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“Countrypolitan” – 1st Sightings

Paul Hemphill‘s The Nashville Sound: Bright Lights and Country Music — published in 1970 during a particularly vibrant musical era — includes this passage about the pushback against attempts to de-emphasize country’s less “polished” elements in order to increase the music’s appeal in the (more lucrative) “pop” marketplace: It isn’t

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Merle Kilgore on Starday-King

Former Starday recording artist Merle Kilgore would have an unsuccessful stint at Columbia/Epic in the mid-1960s before rejoining the fold at the newly-expanded Starday-King (the King label having consolidated with Starday upon the death of its founder/owner Syd Nathan in 1968).  Starday historian emeritus Nathan D. Gibson would interview Kilgore for 2011’s

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Willis Brothers: Giants of Diesel

When you think of truck-driving country classics, the names of four artists should come readily to mind:  Dave Dudley, Red Sovine, Red Simpson … and The Willis Brothers!  Brotherly harmonies + offbeat humor + trucker tales = a winning sound and track record. “Give Me Forty Acres (To Turn This

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Leon’s “Steel Guitar Chimes”

Zero to 180 couldn’t take it any more, so it added a new category – steel guitar – and instantly populated a set of 25 pieces from the past three years that feature many of the world’s foremost steel guitarists, including today’s post, which is the first to highlight the

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“Ode to Big Joe”: Big Joe Talbot, That’s Who

Thanks to the contributor of YouTube’s only audio clip of “Ode to Big Joe,” I now know which country singers are being affectionately parodied by The Willis Brothers in this song. Question:  Can you close your eyes and identify the four country legends being spoofed? Answer:   Hank Snow (the song’s

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“Baby Rocked Her Dolly”: Frankie (Miller) & Johnny (Horton)

Merle Kilgore really brings the pathos on an original composition that absolutely could have come from the canon of Johnny Cash: https://www.youtube.com/watch?v=bNrlWmpUyvo “Baby Rocked Her Dolly” was also covered by Starday labelmates, Frankie Miller (1960) and Red Sovine (1967).  However, for his own version, Kilgore wisely decides to begin —

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“Bob”: The Willis Brothers, Not Weird Al

“Bob” is the title track of a Willis Brothers album released on the Starday label in 1967: The song is written from the perspective of Bob’s wayward pal, who playfully chides him for choosing the path of domesticity rather than remaining carefree and unencumbered: “Bob”     The Willis Brothers     1967 “Remember

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“Gibson Girl”: Actually, Billy Byrd’s a Gibson Guy

Guitarist Billy Byrd – according to Ernest Tubbs‘ biographer, Ronnie Pugh – ”came from a pop and jazz background, and there were some people who were leery of the notion that he could play country with Tubb.  [But] he did it and did it well.  The ten years Billy was

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“Springfield Guitar Social”: Who’s Who of Guitar Wizardry

If you’re pressed for time but curious to know more about the stringed instrument masters who inspired and laid the groundwork for the the classic rock generation to come, here is a two-and-a-half minute Cliff Notes guide that demonstrates Thumbs Carllile‘s uncanny ability to play in the style of such

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“Western Limited Boogie”: Boogie Woogie Western-Style

Found a hot Texas swing instrumental called “Western Limited Boogie” on a Starday cassette about which little to no information exists.  The front cover indicates this is part of a series called “Best of the Instrumentals,” and the volume that I own is called Texas Style Instruments.  The featured artist

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