Zero to 180 – Three Minute Magic
Recorded by Merle Kilgore in early November, 1963 at Columbia Recording Studio in Nashville and released January 1964 as a single by MGM: “Johnny Zero“ Merle Kilgore (1963) Does Merle Kilgore sound like Johnny Cash because they were such good friends, or were Merle and Johnny good friends because their
In 1967, Sheb Wooley released a great single, where the A-side – “Love In” – hilariously mocked the “free love” sentiment then in vogue, while the B-side proudly proclaimed the simple music of the “folk” to be the kind that touches his soul the deepest: Wildwood Flower on the Autoharp
The received wisdom is that The Beatles single-handedly invented ‘power pop’ with “And Your Bird Can Sing,” an album track from 1966’s Revolver. The truth, however, is a little more elusive. One could point out that “Paperback Writer” – a song that very much embodies the power pop sound –
Not Jimi, but rather Jon — he of jazz vocal trio, Lambert, Hendricks & Ross. In 1967 Jon Hendricks and The Grateful Dead composed music for the soundtrack of a Jerry Stoll documentary entitled, Sons and Daughters, in which students from the University of California at Berkeley march to the
I dismissed Herman’s Hermits ages ago (“Henry The VIII, I Am,” etc.) but then, in recent years, was given a copy of their 1967 MGM album Blaze (Tom Avazian – who else?) and had to admit that the kick-off tune was a surprisingly effective one: “Museum“ Herman’s Hermits (1967) I
For a modest sum, I picked up this Roy Orbison soundtrack for the 1967 motion picture – Fastest Guitar Alive – and was surprised by the quality of songs from start to finish. Cover art by Frank Frazetta All ten songs on the album are Roy Orbison originals – seven
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