Zero to 180 – Three Minute Magic

Discoveries of a Pop Music Archaeologist

Share on facebook
Share on twitter
Share on linkedin

Category: King Records

Merle Kilgore on Starday-King

Former Starday recording artist Merle Kilgore would have an unsuccessful stint at Columbia/Epic in the mid-1960s before rejoining the fold at the newly-expanded Starday-King (the King label having consolidated with Starday upon the death of its founder/owner Syd Nathan in 1968).  Starday historian emeritus Nathan D. Gibson would interview Kilgore for 2011’s

Read More »

Lonnie Mack at King Records

Lonnie Mack‘s most famous recordings might be associated with Cincinnati’s other notable indie label from the roots rock era, Fraternity, but the hugely influential guitarist from Southeast Indiana also made a number of recordings at King Studios.  Ace UK’s Lonnie Mack anthology CD From Nashville to Memphis includes a “Lonnie

Read More »

Mickey Murray LP II: Released?

Soul singer Mickey Murray recorded only two full-length albums over the course of his career — one for SSS International, 1967’s Shout Bamalama & Super Soul Songs  (the label’s first hit for Shelby Singleton), and the other, entitled People are Together, for King subsidiary Federal Records in 1970 — an album

Read More »

Milt B’s “Mod Popcorn R&B”

Philip Paul‘s stellar stick work really drives this “killer” instrumental version of “Fever” that features organ (Milt Buckner) and vibes (Gene Redd) — recorded at Cincinnati’s King Studios on March 5, 1963: “Fever”     Milt Buckner     1963 Organ:  Milt Buckner Drums:  Philip Paul Bass:    Bill Willis Vibes:   Gene Redd

Read More »

King Truck Driver Bluegrass 45

Fans of truck-driving country music take note:  The Stanley Brothers would record “Prayer of a Truck Driver’s Son” on September 20, 1965 in Cincinnati — a song issued by King as a B-side for “Never Again” in July, 1966: According to Gary B. Reid in The Music of The Stanley Brothers:

Read More »

Ruth Wallis: King/DeLuxe Artist

On February 28, 1966, blue humorist extraordinaire, Ruth Wallis, recorded four songs at Cincinnati’s King Studios, two of which — “I’m the Sexiest Gal in Town” b/w “I’d Rather Be Abroad” — would get released as King 6024, while the other two tracks (“C’est La Vie” and “Thru With Marriage”) remain

Read More »
"Somewhere Down the Line"
Zeroto180

Albert Washington’s Psych Funk

King Records Month 2018 — Extended Through October! After Syd Nathan passed, King Records was sold to Starday Records in 1968, who subsequently sold the combined Starday-King catalog to Nashville’s Lin Broadcasting.  The new King owners would revive the Deluxe label in 1969 or so – check out this interesting

Read More »
"Hi-Ballin' Daddy"
Zeroto180

Ann Jones & Her “All-Girl” Band

Is it really true, as Country Music Archive asserts, that Ann Jones And Her Western Sweethearts “was probably the first all-girl band in C & W music”?  Bill Sachs, in his “Folk Talent and Tunes” column for Billboard, reported in the November 13, 1960 edition — Ann Jones, King recording

Read More »

The JB’s Debut: Polydor not King

The debut album by The JB’s — James Brown‘s backing band that included a group of Cincinnati musicians who would soon join forces with George Clinton’s Parliament-Funkadelic and later form the core of Bootsy’s Rubber Band — was originally scheduled for release in July, 1971 on the King label (SLP

Read More »

King’s Budget Subsidiary Label

According to Both Sides Now Publications: “In late 1958, Audio Lab was formed as a budget label subsidiary to Cincinnati-based King Records.  From 1959 -1962, Audio Lab released a lot of material that had never appeared in album form, including rare albums by Bullmoose Jackson, Annie Laurie, April Stevens, Lattie

Read More »
All Categories
Archives