Zero to 180 – Three Minute Magic

Discoveries of a Pop Music Archaeologist

Category: King Records

Henry Glover
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Henry Glover’s Monumental Musical Legacy

Part One — Historical Overview & Narrative Composer, producer, arranger, publisher, talent scout, vocalist, trumpet player, engineer, A&R executive, and later, a label owner in his own right, Henry Bernard Glover — notes Nick Duckett in the liner notes that accompany the 123-track Henry Glover Story anthology — was “one

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King Records
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King Records — In a Nutshell

What a revelation to find out that World Radio History‘s website not only allows access to a comprehension collection of music trade publications, including Billboard, Cash Box, and Record World, but also the ability to search all back issues simultaneously! What’s especially helpful is how the search results often show

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"Vampire's Ball"
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King’s Answer to “Monster Mash”

“After making the label an important artistic nest for major jazz artists like Nina Simone, Carmen McRae, Chris Connor and Mel Tormé,” notes Discogs in a summary overview of Bethlehem Records, its founder Gustav Wildi, in 1958, “gave the major label King Records half ownership as payment for distribution, and

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Bud Hobgood
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The Dapps at King Records

Note:  Spotify playlist at the end of this piece Music writer/historian, Randy McNutt, in King Records of Cincinnati, points out the irony of “How You Gonna Get Respect (When You Haven’t Cut Your Process Yet)” – a Hank Ballard single “obviously aimed at the R&B market” – being voiced by mostly white

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Chuck Connor
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The Upsetters at King Records

I am only just now discovering that Little Richard‘s musical influence had a direct impact on King Records, first when his live backing band, The Upsetters, became Little Willie John’s support group after Richard renounced rock ‘n’ roll in 1957, and then again soon after when the Upsetters backed James

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60s/70s rock +/- pop
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King 45s That “Bubbled Under”

My ambitiousness got the best of me with the posting of the two-part history piece, “Quirky 45s That Bubbled Under (1959-1976).”  If you go to Zero to 180’s home page now (as of April 2020), you might be frustrated that it takes so goshdarn long to finish loading all the

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Bootsy Collins
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Birth of The JB’s @ King Records

The two-volume King Labels recording sessions discography (i.e., “the red books“) compiled by Michael Ruppli with assistance from Bill Daniels, can be frustratingly incomplete, especially with regard to musician credits.  Although this reference source is a great starting point, scholars of James Brown funk are forced to do quite a bit of digging on

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"Hip Cat's Weddin'"
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Grandpa Jones & His Swingin’ Grandchildren’s Sole 45

Grandpa Jones‘ toe-tappin’ countrypolitan “Hip Cat’s Weddin’” is one of Zero to 180’s recent discoveries: “Hip Cat’s Weddin’” Grandpa Jones & His Swingin’ Grandchildren Recorded November 1960 Too little has been written about Boudleaux Bryant‘s clever composition and its fetching arrangement — virtually nothing, in fact.  “I Don’t Love Nobody”

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Henry Glover
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King Records Trivia: Maxi-Tweets

Fun Facts & Trivia —  Top Tweets from King Records Month 2018 As with the previous piece (“King’s Jazz Legacy“), it seems silly to keep all this rich history from last year’s King 75th Anniversary tucked away in a file attachment.  One year later, it has become increasingly obvious that

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Bethlehem Records
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King’s Jazz Legacy: Maxi-Tweets

I am liberating a special series of “maxi-tweets” tied to King Records‘ lesser known jazz legacy – part of 2018’s King 75th Birthday Celebration – that were otherwise buried in a PDF file attachment.  The following research was conducted primarily by scanning the index of Ruppli‘s 2-volume King recording session

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