Zero to 180 – Three Minute Magic

Discoveries of a Pop Music Archaeologist

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Category: Record labels

Henry Glover
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Henry Glover’s Monumental Musical Legacy

Part One — Historical Overview & Narrative Composer, producer, arranger, publisher, talent scout, vocalist, trumpet player, engineer, A&R executive, and later, a label owner in his own right, Henry Bernard Glover — notes Nick Duckett in the liner notes that accompany the 123-track Henry Glover Story anthology — was “one

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Columbia/Epic
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Curly Chalker’s Dutch-Only 45: Party Game for Steel Fanatics

Zero to 180’s summertime celebration breezes right along with this parlor game for music nerds: First, launch a new web browser and point it at 45Cat — www.45cat.com(go ahead, I’ll wait) Next, type the name of ace steel guitarist, Curly Chalker, in the search window(and press Enter) Curly Chalker  (c.

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60s/70s rock +/- pop
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Scepter 45 by NRBQ Alter Ego?

This month’s Zero to 180 music history piece is guest-written by a music industry insider who revealed on Popsike/Ebay how NRBQ — as their overbearing and musically-challenged alter ego, The Dickens — came close to having a 45 issued on Scepter Records, home of Dionne Warwick(e) and Chuck Jackson: The

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"Silk 'n Honey"
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Honey Ltd.’s Big Promo Push

Produced by Lee Hazlewood but arranged and conducted by Ian Freebairn Smith, “Silk ‘n’ Honey” — side one closing track of Honey Ltd.‘s sole album — is a great piece of pop music: “Silk ‘n’ Honey”     Honey Ltd.     1969 Much appreciation to self-titled mag* [*link from 2013 no longer active]

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"Blues Stay Away From Me"
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“Countrypolitan” – 1st Sightings

Paul Hemphill‘s The Nashville Sound: Bright Lights and Country Music — published in 1970 during a particularly vibrant musical era — includes this passage about the pushback against attempts to de-emphasize country’s less “polished” elements in order to increase the music’s appeal in the (more lucrative) “pop” marketplace: It isn’t

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King Records
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King Records — In a Nutshell

What a revelation to find out that World Radio History‘s website not only allows access to a comprehension collection of music trade publications, including Billboard, Cash Box, and Record World, but also the ability to search all back issues simultaneously! What’s especially helpful is how the search results often show

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"Vampire's Ball"
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King’s Answer to “Monster Mash”

“After making the label an important artistic nest for major jazz artists like Nina Simone, Carmen McRae, Chris Connor and Mel Tormé,” notes Discogs in a summary overview of Bethlehem Records, its founder Gustav Wildi, in 1958, “gave the major label King Records half ownership as payment for distribution, and

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Bud Hobgood
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The Dapps at King Records

Note:  LINK to Spotify playlist at the end of this piece Music writer/historian, Randy McNutt, in King Records of Cincinnati, points out the irony of “How You Gonna Get Respect (When You Haven’t Cut Your Process Yet)” – a Hank Ballard single “obviously aimed at the R&B market” – being voiced by

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Chuck Connor
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The Upsetters at King Records

I am only just now discovering that Little Richard‘s musical influence had a direct impact on King Records, first when his live backing band, The Upsetters, became Little Willie John’s support group after Richard renounced rock ‘n’ roll in 1957, and then again soon after when the Upsetters backed James

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60s/70s rock +/- pop
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King 45s That “Bubbled Under”

My ambitiousness got the best of me with the posting of the two-part history piece, “Quirky 45s That Bubbled Under (1959-1976).”  If you go to Zero to 180’s home page now (as of April 2020), you might be frustrated that it takes so goshdarn long to finish loading all the

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