Zero to 180 – Three Minute Magic

Discoveries of a Pop Music Archaeologist

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Category: Places & musical hot spots

Central Recording Studio
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Silver Spring’s Central Recording Studio

Jeff Krulik was the first to inform me that back in the mid-to-late 1980s, one could exit Silver Spring’s Track Recorders and walk about a mile or so up Georgia Avenue to reach another commercial sound facility:  Central Recording Studio. Silver Spring historian, Robert Oshel, wrote about this very parcel

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Jazz
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Keter Betts – Silver Spring, MD Resident

JazzTimes‘ Christopher Porter, amusingly, conducted his interview with bass legend, Keter Betts, at Silver Spring, Maryland‘s humble 9-hole Sligo Creek Golf Course due to its proximity to both Betts’ home and JazzTimes‘ editorial office. .From Porter’s 2002 JazzTimes piece, I learned that — Ray Brown, another jazz bass giant, was

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Central Recording Studio
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Central Recording Studio — Silver Spring, MD

Three recording facilities — Adelphi Studios, Track Recorders, and DB Sound — have helped put Silver Spring, Maryland on the world’s musical map, while a fourth, Paragon Studios, is notable for having captured The Muffins’ influential early work (as was noted in the recent Bob Devlin piece) .  Thanks to

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"H2O Gate Blues"
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“H2O Gate Blues”: Silver Spring

This piece updated 12/3/19 — scroll to “Lost 45?” appendix near the end This piece also updated 12/27/20 — Lillian Claiborne tribute appended at tail end As you may have already gathered, Zero to 180 has a soft spot for music history related to Silver Spring, Maryland.  We now know,

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Pickwick: Dukes of Deception

Pickwick International, those masters of mis-marketing, did whatever was necessary to trick you, potential chump, into buying one of their albums — namely, by dressing up outdated material so as to appear fresh and contemporary through the use of titillating imagery, stylish typography, and razzle-dazzle promotional hype. “NOUVEAU – A

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Gene Rosenthal & Adelphi Records: Ahead of the Curve

I suspect Gene Rosenthal will roll his eyes at the obviousness and artlessness of this observation, but let history officially note:   In 1966, when Eric Clapton and company were reviving Skip James‘ “I’m So Glad” for Cream’s debut album (which enjoyed worldwide distribution – even Saudi Arabia, unofficially), Rosenthal

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Silver Spring’s Blues Home: Adelphi Records

Zero to 180 isn’t above recycling old tricks, like posting a “vintage” high-resolution image as a shameless distraction ploy to stall for time, while it finishes pulling together over fifty years of history celebrating Gene Rosenthal and his Silver Spring-based independent music operation, Adelphi Records. The same December, 1979 issue

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"The Shah Is Gone"
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Bill McCullough Remembers: Track Recorders (pt. 2)

Bill McCullough — who would serve music history as Track’s Chief Engineer from 1977-1983 — can readily conjure a mental image of the Silver Spring recording studio‘s control room in all its 1970s wood-paneled glory: Photo(s) courtesy of Bill McCullough Silver Spring, in the new century, is now blessed to

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Bill McCullough
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Bill McCullough Remembers: Track Recorders (pt. 1)

If Zero to 180 isn’t too careful, February might come and go without a new history piece. Unacceptable! As it turns out, Zero to 180 has been working on a trio of Silver Spring music history pieces, with a two-part encore tribute to Track Recorders — featuring reflections and anecdotes

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"This Feeling"
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Track Recorders: Silver Spring II

NOTICE!   This is a majorly revamped version of a piece from the summer of 2016 — with enhanced content — to be followed in close succession by a suitably elaborate history of Gene Rosenthal and Adelphi Records. although sandwiched in between will be a history spotlight on Track’s Chief Engineer,

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