Zero to 180 – Three Minute Magic

Discoveries of a Pop Music Archaeologist

Category: Doubleneck guitars

"Boppin' to Grandfather's Clock"
Zeroto180

Hardrock Gunter on (indie) Island Records

This recording of Hardrock Gunter‘s mesmerizing voice, with its offbeat hiccup-y rhythms bathed in slapback echo, never fails to enchant: “Boppin’ to Grandfather’s Clock“ Hardrock (“Sidney Jo Lewis”) Gunter (1958) Birmingham, Alabama’s Sidney Louis Gunter, Jr.  would record under two other names:  Buddy Durham (as noted in the previous piece

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"Tunin' Up for the Blues"
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Now I Wanna Mosrite 45 Record

I love the Mosrite ‘guitarslinger’ tradition that links Joe Maphis, Larry Collins, The Ventures, Johnny Ramone, and Kurt Cobain. Zero to 180 recently stumbled upon the fact that Mosrite had a short-lived record label — Mosrite Records – for which Joe & Rose Lee Maphis would record a couple singles,

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"No Reaction"
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Bachelors of Art: Married to Music

The dissolution of Cincinnati’s The Ferns by 1985 would find Rick Mosher in common cause with keyboardist Tim Miller (ex-Dog Pound).  Rick & Tim’s new musical unit would play out live around town – but eventually grow weary of Cincinnati’s fairly provincial views with regard to modern sounds in popular

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"The Talking Boogie"
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Plays Guitar Like a Piano #2

It is shocking and sad what little footage exists of James Richard “Dickie“ Phillips that shows his unorthodox method of playing the electric guitar.  Here is the *only clip on YouTube that shows Dickie Phillips playing with Tex Williams And His Western Caravan — note how he places the guitar

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"Town Hall Boogie"
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Joe Maphis Also Had a Doubleneck

Joe Maphis – “The King of the Strings” – was the ace picker of the top-notch house band at Town Hall Party, ( a radio and television show filmed in Compton and broadcast over the West Coast airwaves in the 1950s.  The success of the Friday and Saturday night broadcasts

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Dave Bunker
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Dave Bunker’s Futuristic 50s “Touch Guitar”

Wait a dagblasted second!   How come I never heard of Dave Bunker or stumbled across his radical 1950s “Duo-Lectar” in all my musical readings until just now? On this clip from TV’s Ozark Jubilee we learn that this modernistic musical machine took eight years to put together (with his father’s

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"Joaquin"
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Freddie Roulette’s Sweet, Funky Steel

Freddie Roulette coaxes all manner of sweet, funky feeling out of his doubleneck lap steel guitar on the track “Joaquin” from his debut solo album: “Joaquin“ Freddie Roulette (1973) Steel Guitar:  Freddie Roulette Bass, Acoustic Guitar:  Victor Conte Drums:  Paul Lagos Guitar:  Coleman Head Saxophone:  Richard Aplanap Mixed by Fred

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"Steel Guitar Stomp"
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It’s True: Noel Boggs Once Played on a King Record

Hank Penny‘s first recording session for King Records took place at the Wurlitzer Music Company in Cincinnati sometime mid-1944.  Roy Lanham — pioneering guitarist who was too “hillbilly” for the jazz crowd and too “jazzy” for country fans — would play on this session, as well as Louis Innis, it’s

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"On The Alamo"
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“On the Alamo”: (Inter)Twin(ed) Guitars

It is startling and sad the degree to which Jimmie Rivers is not represented in the history of recorded music.  Says AllMusic — Despite his obscurity, Jimmie Rivers is one of the great western swing/bop guitarists. His legacy is miniscule, consisting of a disc’s worth of live tracks with his group,

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"Pork Chop Stomp"
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1954: An Explosive Year for Music

We all know that 1954 was the year of Elvis Presley’s famous and influential Sun recordings, but 1954 was also highly noteworthy for the combined impact of these three particular tunes – all instrumentals: 1.  “Stratosphere Boogie” by Speedy West & Jimmy Bryant – Phenomenal, blazing twin guitar work — rock

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