Zero to 180 – Three Minute Magic

Discoveries of a Pop Music Archaeologist

Category: Clavinet

"Wild Blue Yonder"
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Lloyd Green Stumps for Baldwin

Check out the Clavinet-like sounds coming from Jerry Whitehurst‘s electric harpsichord on “Wild Blue Yonder,” side one’s closing track from Lloyd Green‘s third solo LP Day of Decision, an album that was recorded (like Stones Jazz) in one day — in this case, on June 18, 1966 at RCA Studios in Nashville: “Wild

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"To the Left (And On the One)"
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Silver Spring’s Blues Home: Adelphi Records

Zero to 180 isn’t above recycling old tricks, like posting a “vintage” high-resolution image as a shameless distraction ploy to stall for time, while it finishes pulling together over fifty years of history celebrating Gene Rosenthal and his Silver Spring-based independent music operation, Adelphi Records. The same December, 1979 issue

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"Diamond"
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Paul Beaver Played Clavinet, Too (plus Emil Richards Tribute)

Remember last month when I was hot on the trail of identifying the first recording of a clavinet, thanks to a tip from Jim Kimsey:  “Six O’Clock” by John Sebastian & The Lovin’ Spoonful?  Was John Sebastian‘s “electric harpsichord” (as he referred to the instrument), in fact, a clavinet?  Sebastian

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"Let Go of You Girl"
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The Left Banke: Early Clavinet ’67

A big breakthrough in Zero to 180’s lifelong quest to identify the “first clavinet recording“ — Michael Brown plays a Hohner clavinet on “Let Go of You Girl” from The Left Banke’s debut album, released February, 1967 (i.e., 2 months before John Sebastian’s “6 O’Clock“): “Let Go of You Girl” The

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"Six O'Clock"
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“Six O’Clock”: First Clavinet?

Jim Kimsey – much to my annoyance – would connect the dots first:  John Sebastian‘s opening clavinet chords tick-tick-ticking the seconds of the new dawning day on “6 O’Clock” just might be the earliest recording of a clavinet, having been released April, 1967: “Six O’Clock” The Lovin’ Spoonful (1967) I

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"Baby You Come Rollin' Cross My Mind"
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Peppermint Trolley: Clavinet ’67

It’s always a thrill when somebody who actually served on the front lines of music history reaches out to help fill in some of the historical gaps.  Just last month, Danny Faragher of the Peppermint Trolley Company chimed in on an earlier NRBQ piece that attempts to identify the earliest

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Bolan + Clavinet = Glam Funk

One thing you will not experience in a Barnes & Noble or Books-a-Million:  finding something inside the book you just bought, such as a newspaper clipping that pertains to the book in question (typical) or a press release from the publisher (also common).  More unusual would be to find cut-up

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Don Sebesky: Clavinet Pioneer

Last November’s tribute to the funkiest musical instrument known to humankind would seem to designate NRBQ‘s “Stomp” (recorded December, 1968) as among the earliest of recordings to feature the clavinet, even though by article’s end I reveal my trump card: “Attractive Girl” by The Termites — an album track on

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“Stomp”: First Recording of a Clavinet?

Someone posted a short list of “clavinet-fueled songs” that, of course, included “Up on Cripple Creek” by The Band.  One commenter quibbled that the song should have been #1 on the list, “not only because it is better but because it was first” – but was it? The Clavinet is

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Tom Ardolino’s Ferocious Backbeat

Around the 7:55 mark in this heartfelt video tribute to ‘Q drummer, Tom Ardolino (who left us in 2012), there is powerful testimony from one of rock & pop’s most storied session drummers, Earl Palmer, who remarks on Ardolino’s prodigious wallop [“playing that backbeat!”] and inimitable playing style [“twirling that

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