Jamaican DJ Dillinger toasts each of the winners to date of the Independence Festival Song Competition in “Festival Rock,” his entry for the 8th annual event in 1973:
“Festival Rock” Dillinger 1973
1966: The Maytals with “Bam Bam”
1967: The Jamaicans with “Ba Ba Boom”
1968: Desmond Dekker & The Aces with “Music Like Dirt”
1969: The Maytals with “Sweet and Dandy”
1970: Hopeton Lewis with “Boom Shaka Laka”
1971: Eric Donaldson with “Cherry Oh Baby”
1972: Toots & the Maytals with “Pomps and Pride“
Musical misspelling: “Dellinger”
Lee ‘Scratch‘ Perry produced the original recording – Max Romeo‘s “Ginal Ship” – that serves as the backing track (sans vocals) for “Festival Rock.”
In Jamaica, “Festival Rock” was issued on a white/blank label release as the B-side of “Cocky Bully” — both considered “DJ” cuts of the “Ginal Ship” single originally released on Lee Perry’s Upsetter label in 1971.
Which song emerged victorious in the 1973 Independence Festival Song Competition, you ask? Envelope, please:
- Morvin Brooks with “Jump in the Line“
Did you know? There are other Zero to 180 stories tagged as Musical Roll Calls
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Bonus Bass Bonanza!
Did Paul McCartney Hand the Hofner Torch … to Robbie Shakespeare?
According to Vivien Goldman‘s riveting historical examination of the recording of the Exodus album in London, where Bob Marley and his crew were, literally, on the run following the 1976 assassination attempt at Marley’s compound on 56 Hope Road in Kingston:
Fams [i.e., Aston ‘Family Man‘ Barrett] finally got his own instrument when one of his main clients, a jovial producer called Bunny ‘Striker‘ Lee, brought a short-necked, violin-shaped Hofner bass back from the U.K. He’d purchased it from one Lee Gopthal, boss of the reggae label Trojan, who’d bought it from the Beatles‘ manager, Brian Epstein. So the previous owner of the bass on which Fams played those catchy Upsetters instrumental hits that both mods and skinheads partied to in England, such as “The Return of Django,” was once Paul McCartney[!]
The Upsetters at Randy’s in Kingston circa 1969/70
Aston ‘Family Man’ Barrett (bass); Carlton ‘Carly’ Barrett (drums); Alva ‘Reggie’ Lewis (guitar) Glen Adams (organ)
Lunging across the stage, Tosh’s bass player, Robbie Shakespeare, brandished his instrument like a lance—the very same little Hofner that Paul McCartney used to play. Shakespeare’s mentor, Family Man, had passed it on to his protege.