Zero to 180 – Three Minute Magic

Discoveries of a Pop Music Archaeologist

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Category: Vibraphone instrumentals

Bob Wills & the Texas Playboys
Zeroto180

Gary Burton’s Tennessee Firebird

Jimmy Colvard was a teen in 1963 when he played those distinctive snapping and popping guitar sounds that helped make “Six Days on the Road” a runaway hit for Dave Dudley.  I have since learned that Colvard played guitar on a number of albums in the 1960s and 70s by

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Milt B’s “Mod Popcorn R&B”

Philip Paul‘s stellar stick work really drives this “killer” instrumental version of “Fever” that features organ (Milt Buckner) and vibes (Gene Redd) — recorded at Cincinnati’s King Studios on March 5, 1963: “Fever”     Milt Buckner     1963 Organ:  Milt Buckner Drums:  Philip Paul Bass:    Bill Willis Vibes:   Gene Redd

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Hank Garland: Lost Album of ’60

Fascinating that a musician of the caliber of Hank Garland (who was signed to Columbia, for cryin’ out loud) would release a companion album of sorts – Subtle Swing – to the groundbreaking (and previously discussed) Jazz Winds from a New Direction, and yet so little information to confirm its existence,

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Liberation’s Sweet Sound

The alluring flute and vibraphone are just a ploy – liberation’s crafty end game.of using music to help listeners recognize the shared humanity that binds us all: “Liberation”     The Afro-Blues Quintet Plus One     1965 “Liberation” is the debut single/opening statement from The Afro-Blues Quintet Plus One, who released five albums

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“Ital Vibes”: Vibraphonic Reggae

Reggae is another realm of popular music where the vibraphone so rarely makes a foray.  As a result, Jamaican vibraphonist, Lennie Hibbert, pretty much has the field all to himself, as the intersection of reggae and the vibes essentially begins and ends with this one soul. Hibbert’s theme song –

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“Space Walk”: Psychedelic Vibes, Man

Paul ‘Ollie’ Halsall, as previously noted, was one of the rare rock musicians to utilize the vibraphone – an instrument that is often confined to jazz and 1960s pop & northern soul, sadly.  The vibes, when placed in the right context, can add such gorgeous tonal color to a song,

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