I am very appreciative that Scholastic Video, in partnership with Weston Woods, has done such a consistently great job adapting children’s literature for the small screen and in a way that appeals to people of all ages.
One such adaptation is the story of a fish named Swimmy, who shows his friends how—with team work and ingenuity—they can overcome any danger. The film’s soundtrack is particularly effective in conjuring up a nautical netherworld, and yet no information seems to exist about who scored these sounds. In absence of any facts, I would not guess that a Moog is making those undersea burbling sounds but rather a Buchla Box:
[Pssst: Click on the triangle above to play the soundtrack to the film adaptation of “Swimmy” by Leo Lionni.]
120 Years of Electronic Music provides the historical overview:
“Donald Buchla started building and designing electronic instruments in 1960 when he was commissioned by the Avant Garde composer Morton Subotnik to build an instrument for composing and performing live electronic music. Subotnik was interested in developing a single instrument to replace the large complex Electronic Music Studios of the day where most ‘serious’ avant-garde music was composed and recorded. These studios consisted of multiple individual oscillators, processor units, filter and mixers that, with the help of technicians (each of the studios had it’s own unique system), needed to be manually patched together. The advent of transistor technology allowed much of this process to be miniaturised into a single portable, standardised version of the Electronic Music Studio but still using the modular, patchable approach.”
(Notice – no keyboard with the original 100 Series Buchla Box)
By the way, I called Weston Woods to inquire whether they had a historian/librarian who could provide any information about this film and its soundtrack and was told that Weston Woods actually licensed this title from Italtoons, a film production company based in New York City. Italtoons, unfortunately, seems to be no longer in business.
I then reached out to electronic music pioneer, Suzanne Ciani, who very kindly agreed to listen to the “Swimmy” soundtrack to determine whether a Buchla Box might have been used to generate the sounds that accompany the narration of the story. Ciani concluded that, while these analog sounds certainly could “be done on a Buchla,” nevertheless, “there is nothing particularly Buchla-esque” about this synthesizer-embellished soundtrack. Will that stop me from creating false controversies in future posts? Doubtful.
Worth noting, by the way, that filmmaker, Connie Field, finished her Kickstarter Campaign last October and is presumably at work on her new documentary, Buchla: California Maverick on a New Frontier.
This piscine piece is dedicated to the (former) Invertebrate House at DC’s National Zoo – no longer extant as of today. Is it hopelessly naive to think that a petition might help reverse this decision by Smithsonian officials? Quite possibly – but let’s try anyway.
Free Game! Suzanne Ciani: Real-Life Pinball Wizard
Riveting film clip of Suzanne Ciani living out every 70s teenage rocker’s fantasy: creating the music and special effects for a Bally pinball machine. Peter Ustinov narrates an 8-minute clip from the science TV news magazine, OMNI, that shows Ciani at work in the recording studio experimenting with a vocoder, programming in BASIC, and creating various synthesized sounds for 1979’s Xenon – one of the few pinball machines to feature a woman’s voice. Click here to see (and hear) a video of two games being played on Bally’s Xenon pinball machine back-to-back, with an exciting multi-ball climax at the end of the second game.
Extra Ball: Buchla Box Meets the Mad Men
Check out this Clio-winning General Electric dishwasher ad for which Suzanne Ciani wielded her trusty Buchla Box to create the synthesizer-driven soundtrack.