Zero to 180 – Three Minute Magic

Discoveries of a Pop Music Archaeologist

Category: Honky tonk

"Four Wheel Drive"
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Zero to Infinity: Buddy Emmons

This week we said goodbye to Buddy Emmons, one of the world’s great musicians and subject of three prior Zero to 180 pieces.  Here is but a *45-second live demonstration (beginning to end) of Buddy Emmons’ singular genius with the pedal steel guitar: “Four Wheel Drive” (live) Buddy Emmons (1965)

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"Good Luck 'n' Good Truckin' Tonite"
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Dale Watson’s Truckin’ Sessions (Vol. 1)

Last May’s piece about Sonny George and his modern truck driving classic album Truckin’ Country (issued on Eddie Angel‘s Spinout label) reminds me that Dale Watson deserves recognition for his own equally excellent contribution that very same year, 1998’s Truckin’ Sessions.  Kick-off tune, “Good Luck ‘n’ Good Truckin’ Tonite” would

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"Promises Promises"
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Lloyd Green: “Mr. Nashville Sound”

When we last checked in with Nashville All-Star and pedal steel guitarist extraordinaire, Lloyd Green, he had signed with Aubrey Mayhew & Johnny Paycheck’s label, Little Darlin’.  However, Green would be ready to switch labels just two years later to go with another indie, Chart. Record World April 6, 1968

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"Tennessee Border"
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“Tennessee Border”: Nashville All-Star Band

“Tennessee Border” is a tuneful instrumental from an album, That Happy Nashville Sound, that features some of the finest musicianship that 1960s Nashville had to offer: I’m surprised, however, by how little I can find about this 1967 album on the internet.  Perhaps now is a good time for Bear

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"Ode to Big Joe"
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“Ode to Big Joe”: Big Joe Talbot, That’s Who

Thanks to the contributor of YouTube’s only audio clip of “Ode to Big Joe,” I now know which country singers are being affectionately parodied by The Willis Brothers in this song. Question:  Can you close your eyes and identify the four music legends being spoofed? Scroll down for the answer

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"Lost Highway"
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“Lost Highway”: Hank Williams + Chet Atkins & Friends

One other prominent (and tragic) artist from country music’s early years to get the cosmetic posthumous remix is Hank Williams, whose death in 1953 in no way stopped MGM from issuing new product for the marketplace (often multiple albums per year) through 1981 and beyond.  Hank Williams, for instance, was

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"Five Minutes to Live"
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“Five Minutes to Live”: Death Sentence Commuted to 50 Years

My deep appreciation to Brian Horrorwitz of Trash Palace for introducing me to a great tune that was sung by Johnny Cash and featured in a mediocre film in which he starred: “Five Minutes to Live“ Johnny Cash (1960) I am especially in awe of Luther Perkins’ guitar lines, who

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"Fast Talkin' Louisiana Man"
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“Fast Talking Louisiana Man”: Merle Kilgore in Character

Merle Kilgore, we learn from the Nashville Songwriters Hall of Fame website, signed more than a few recording contracts in his life: 1953:  signed his first recording contract with Imperial Records 1959:  recorded albums for Starday (contract presumably signed) 1961:  signed recording contract with Mercury Records 1963:  signed with MGM

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"Bob" (1967)
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“Bob”: The Willis Brothers, Not Weird Al

“Bob” is the title track of a Willis Brothers album released on the Starday label in 1967 (actually, the full album title is ‘Bob’ And Other Songs To Make The Juke Box Play). The song is written from the perspective of Bob’s wayward pal, who playfully chides him for choosing

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"Smoke and Mirrors"
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“Smoke and Mirrors”: Truck-Drivin’ Cautionary Tale

We will likely never know just how many people were lured to the truck driving profession as a result of the romantic and freewheeling images fueled by truck driving country music during its 1960s and 70s heyday.   Fortunately, we can all thank Alan MacEwen of veteran DC band, The Grandsons,

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