Zero to 180 – Three Minute Magic

Discoveries of a Pop Music Archaeologist

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Category: Blues/R&B/jazz

Jazz
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Keter Betts – Silver Spring, MD Resident

JazzTimes‘ Christopher Porter, amusingly, conducted his interview with bass legend, Keter Betts, at Silver Spring, Maryland‘s humble 9-hole Sligo Creek Golf Course due to its proximity to both Betts’ home and JazzTimes‘ editorial office. .From Porter’s 2002 JazzTimes piece, I learned that — Ray Brown, another jazz bass giant, was

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Bob Wills & the Texas Playboys
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Gary Burton’s Tennessee Firebird

Jimmy Colvard was a teen in 1963 when he played those distinctive snapping and popping guitar sounds that helped make “Six Days on the Road” a runaway hit for Dave Dudley.  I have since learned that Colvard played guitar on a number of albums in the 1960s and 70s by

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Bud Hobgood
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The Dapps at King Records

Note:  LINK to Spotify playlist at the end of this piece Music writer/historian, Randy McNutt, in King Records of Cincinnati, points out the irony of “How You Gonna Get Respect (When You Haven’t Cut Your Process Yet)” – a Hank Ballard single “obviously aimed at the R&B market” – being voiced by

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Chuck Connor
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The Upsetters at King Records

I am only just now discovering that Little Richard‘s musical influence had a direct impact on King Records, first when his live backing band, The Upsetters, became Little Willie John’s support group after Richard renounced rock ‘n’ roll in 1957, and then again soon after when the Upsetters backed James

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60s/70s rock +/- pop
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King 45s That “Bubbled Under”

My ambitiousness got the best of me with the posting of the two-part history piece, “Quirky 45s That Bubbled Under (1959-1976).”  If you go to Zero to 180’s home page now (as of April 2020), you might be frustrated that it takes so goshdarn long to finish loading all the

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Bootsy Collins
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Birth of The JB’s @ King Records

The two-volume King Labels recording sessions discography (i.e., “the red books“) compiled by Michael Ruppli with assistance from Bill Daniels, can be frustratingly incomplete, especially with regard to musician credits.  Although this reference source is a great starting point, scholars of James Brown funk are forced to do quite a bit

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"Spooky"
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George Barnes’ Halloween Guitar

George Barnes recorded a boss guitar instrumental – “Spooky” – that should be part of everyone’s Halloween soundtrack: “Spooky”     George Barnes     1962 Billboard conferred three stars (“moderate sales potential) upon this B-side, as well as its A-side “Trainsville,” in their June 23, 1962 edition.  Exactly fifty years later, in 2012, someone would pay $126

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Bethlehem Records
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King’s Jazz Legacy: Maxi-Tweets

I am liberating a special series of “maxi-tweets” tied to King Records‘ lesser known jazz legacy – part of 2018’s King 75th Birthday Celebration – that were otherwise buried in a PDF file attachment.  The following research was conducted primarily by scanning the index of Ruppli‘s 2-volume King recording session

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Civil rights in popular music
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Jamil Nasser: Jazz in Russia

Penny Von Eschen’s Satchmo Blows Up the World — notes Muneer Nasser in 2017’s Upright Bass:  The Musical Life and Legacy of Jamil Nasser (in the chapter entitled ‘Getting the Soviets to Swing’) — “reinforces the myth that [Benny Goodman] introduced jazz to the Soviet Union”: Benny Goodman became the first

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50s/60s rockabilly bop +/- boogie
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Summer Beach Read – Fun Fluff

Breezy, offbeat, trashy, yet intermittently illuminating – and just in time:  Zero to 180’s curated highlights from 1983’s Rolling Stone Rock Almanac humbly serves as your Summer Beach Read!  These carefully selected bits of humor and offbeat information have been lavished with picture sleeves from around the world, streaming audio,

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