Zero to 180 – Three Minute Magic

Discoveries of a Pop Music Archaeologist

Category: Lee Hazlewood

"Silk 'n Honey"
Zeroto180

Honey Ltd.’s Big Promo Push

Produced by Lee Hazlewood but arranged and conducted by Ian Freebairn Smith, “Silk ‘n’ Honey” — side one closing track of Honey Ltd.‘s sole album — is a great piece of pop music: “Silk ‘n’ Honey”     Honey Ltd.     1969 Much appreciation to self-titled mag* [*link from 2013 no longer active]

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"Baja"
Zeroto180

Rare 1965 Jimmy Page B-Side

No doubt about it:  Jimmy Page, given his role as composer, arranger, and producer, dominates this B-side by a group you’ve never heard of (i.e., recording career = exactly one 45).  This song, I am now discovering, is virtually unknown to American fans of Page’s work, as it has mainly

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"She's a Friend of Mine"
Zeroto180

Lee Hazlewood vs. Don Nix: ’73

I discovered another musical coincidence recently — two albums with similarly-constructed titles released the same year by two hip and influential songwriter-producer-arrangers:  Poet, Fool or Bum by Lee Hazlewood -vs.- Hobos, Heroes & Street Corner Clowns by Don Nix, both from 1973. On his one and only album for Capitol,

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"South Phoenix"
Zeroto180

Duane Eddy’s Twang + Strings

In 1965 Duane Eddy released a pair of tuneful albums on the Colpix label that one can now find smartly packaged together as a single compact disc — Duane a Go-Go [and] Duane Does Dylan. Lee Hazlewood would be Duane Eddy’s chief collaborator on both Colpix albums, and the two

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"Greenwich Village Folk Song Salesman"
Zeroto180

“Greenwich Village Folk Song Salesman”: Nancy, Lee & Tom T.

I love how much fun Nancy Sinatra and Lee Hazlewood are having while they sing, audibly evident just 13 seconds into this song.  And Lee isn’t kidding when Nancy queries him about a lyric in the middle of the performance, and he replies, “I don’t know, I didn’t write the

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"Batman"
Zeroto180

Lee Hazlewood: Lesser-Known Legend of Surf & Twang Guitar

Even if only for his pioneering production work with one of my guitar heroes, Duane Eddy (e.g., using a gigantic grain tank as an echo chamber), let it be known that Lee Hazlewood, while himself not a hotshot guitarist, co-wrote some of Eddy’s best tunes (including half of his excellent

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