Zero to 180 – Three Minute Magic

Discoveries of a Pop Music Archaeologist

Category: James Brown

"Man Came Down From the Mountain"
Zeroto180

Carolyn Blakey’s ‘Hippy Soul’ 45: Very 1970

“Man Came Down From the Mountain” — the B-side to Carolyn Blakey‘s one and only 45 for King Records — captures the mood and feeling of 1970 in ways that words (“hippy soul“) fail to capture. “Man Came Down From the Mountain” Carolyn Blakey (1970) According to Discogs.com contributor 1stVerse:

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"Papa Left Mama Holding the Bag"
Zeroto180

Who’s Left Holding King’s Bag?

[For an update on the perilous status of the original King Records site, click here] A recent Cincinnati visit allowed me the chance to verify that the former King Records complex is still standing.  But for how long?  Polly Lucke, Zero to 180’s West Coast correspondent, recently brought to my

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"The Soul of JB"
Zeroto180

The Duel: Organ vs. Sax

In the early part of this century, reissue label, Hip-O, put out a comprehensive series of James Brown single releases that were issued from 1956-1981.  Historians & researchers will no doubt be studying these liner notes in decades to come as they try to organize and make sense of the

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"Let Yourself Go"
Zeroto180

Funk Under Fire (Literally)

Years ago I remember being spellbound by a Mojo feature article that interviewed several of the musicians in The Famous Flames who had toured Vietnam with James Brown in 1968 and played for a large number of very grateful soldiers right in the heart of the war zone.  I quickly

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"From the Back Side"
Zeroto180

“From the Back Side”: James Brown’s Parting Gift to King?

Son’s of Funk – i.e., Fred Wesley & the JB’s – with their 1972 single release on the King label: “From the Back Side (Pt. 1)” Son’s of Funk (1972) Is it really true – as YouTube contributor, BuckeyeCat2002, recalls – that “this James Brown / Fred Wesley cut was

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"Fat Eddie"
Zeroto180

“Fat Eddie”: James Crawford’s Mighty B-Side

*Musical personnel info updated January 2023 Of course, no discussion about Cincinnati in song would be complete without a reference to the city’s storied indie label that helped give birth to rock & roll music – King Records. September 14, 1967 may not be a date that registers strongly in

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"Cincinnati Kid"
Zeroto180

The Real Cincinnati Kid

This blog’s first post is a tip of the hat to my hometown, Cincinnati, and the record label  that recorded the rhythm & blues and hillbilly bop that helped give birth to rock and roll — King Records. In 1965 King’s most famous and influential artist, James Brown (along with

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