Zero to 180 – Three Minute Magic
Jimmy Colvard was a teen in 1963 when he played those distinctive snapping and popping guitar sounds that helped make “Six Days on the Road” a runaway hit for Dave Dudley. I have since learned that Colvard played guitar on a number of albums in the 1960s and 70s by
Fascinating that a musician of the caliber of Hank Garland (who was signed to Columbia, for cryin’ out loud) would release a companion album of sorts – Subtle Swing – to the groundbreaking (and previously discussed) Jazz Winds From a New Direction, and yet so little information to confirm its existence,
Fascinating to consider that Mr. “Sugarfoot Rag” himself, Hank Garland, would go on later to record one of the smoothest, coolest West Coast modern jazz albums — in fact, the very same one that inspired George Benson. Check out the kick-off tune: “All the Things You Are“ Hank Garland Quartet
Guitarist Billy Byrd – according to Ernest Tubb‘s biographer, Ronnie Pugh – ”came from a pop and jazz background, and there were some people who were leery of the notion that he could play country with Tubb. [But] he did it and did it well. The ten years Billy was
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