Zero to 180 – Three Minute Magic

Discoveries of a Pop Music Archaeologist

Category: Duke Ellington

"Moon Maiden"
Zeroto180

Duke Ellington Meets Apollo 11

Eternal debt of gratitude to Larry Appelbaum of WPFW’s Sounds of Surprise program for pointing listeners (including myself) to a fascinating moment in our nation’s history about which not enough seems to have been written. “Moon Maiden“ Duke Ellington Quartet @ ABC in NYC July 21, 1969 A rather surreal

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"Fat Boy"
Zeroto180

“Fat Boy”: It’s the Organ

Billy Stewart was a Washington DC musical talent who backed Bo Diddley in the 1950s during Diddley’s Chess years.  Stewart would get the chance to make his own recordings on Chess in the early 1960s when the label hired a new A&R person, Roquel Davis. Rick Simmons in Carolina Beach

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"V.I.P.'s Boogie"
Zeroto180

“V.I.P.’s Boogie”: Duke Ellington Indulges in Some Name Calling

Thanks to WeirdWildRealm for the back story on a video performance that knocks me out every time I see it — The Duke Ellington Orchestra performing “V.I.P.’s Boogie” (fused to “Jam with Sam“) in a 1951 Snader transcription film: “VIP’s Boogie” / “Jam With Sam” The Duke Ellington Orchestra (1951) Harry

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"C Jam Blues"
Zeroto180

“C Jam Blues”: From the Father of Hillbilly Jazz

I had a nice laugh when I realized that this fiery little instrumental in the key of C was, indeed, not the world’s first waltz to be played outside of 3/4 time but instead an error in the track listing on the album jacket.  Thus, despite this song being listed as

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"Four Brothers"
Zeroto180

The Barclay Stars: Five French Guitars

The album cover would seem to say it all — — but the liner notes reveal that this is not just any ordinary guitar army: This album was recorded in France.  It spotlights the work of five of France’s outstanding guitarists:  Francis Le Maguer (musical director), Pierre Cullaz, Raymond Gimenes,

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"Caravan"
Zeroto180

“Caravan”: Ferlin Husky’s Band Cuts Loose

Reissue label Razor & Tie did a public service in 1999 when they rescued a wonderful instrumental that had remained unissued for over 30 years – just sitting on a master tape of a 1965 Nashville recording session by country singer, Ferlin Husky.  Very little is known about the musicians

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