Zero to 180 – Three Minute Magic
The ringing, echo-drenched electric 12-string guitars on the debut single by Scottish rockers, The Poets, are such a striking sound for 1964 and yet a strangely familiar one: might it be possible that the band later reincarnated as Brian Jonestown Massacre? “Now We’re Thru’” by The Poets (1964) play at
A good ten years before The Beatles pioneered the concept of “double A-side” singles, The Loreleis – two young ladies from the Detroit area, Gail Menefee and Peggy Reinagle – were knocking it out of the park with their two-run homer, “You’re So Nice to Be Near” b/w “Wildsville.” [Pssst:
How unfortunate when an actor embodies a character so convincingly that s/he becomes forever associated with that one role – such as Irene Ryan, heretofore known to millions as Granny from The Beverly Hillbillies. But, as her 1973 UPI obituary points out, Irene Ryan was part of an elite group
Phasing is a special effect in recorded music that gives the mix an Alice-Through-the Looking-Glass, otherworldly sound and has been famously employed, for instance, on 1967’s “Itchycoo Park” by The Small Faces [first occurs around the 0:50 mark]. As the blog, Let Your Hair Down, helpfully explains: The effect as
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