Zero to 180 – Three Minute Magic

Discoveries of a Pop Music Archaeologist

Category: Allen Toussaint

"Sweet Touch of Love"
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“Sweet Touch of Love” = Deodorant Ad

“Sweet Touch of Love,” from the aforementioned acclaimed 1970 album, Toussaint (later named From a Whisper to a Scream), would be the A-side of a 45 that appeared not to have enjoyed any Billboard chart action from what I can see: “Sweet Touch of Love“  Allen Toussaint (1970) “Sweet Touch

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"We The People" (1969)
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The Great (Musical) Experiment

Even less seems to be written about Allen Toussaint‘s final A-side for Bell, 1969‘s populist anthem, “We the People“: “We the People“ Allen Toussaint (1969) Imagine the magnitude of our collective output if we all directed our energies toward constructive ends instead of squabbling amongst ourselves.  Help me understand exactly

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"Hands Christianderson"
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Toussaint’s Danish-Flavoured Pop

Do not understand why so very little has been written about Allen Toussaint‘s 1968 composition “Hands Christianderson,” an instrumental B-side released 47 years ago this very month: “Hands Christianderson“ Allen Toussaint (1968) I hear a bit of Burt Bacharach-style melodicism in the trumpets and backing vocals, though the final product

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"Love Lots of Lovin'"
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Rx: Love (Lot’s of Lovin’)

So, have you figured out the pattern yet?  It’s still early, I know, but congratulations to those who correctly deduced that Zero to 180 is paying tribute to Allen Toussaint (who left us exactly one week ago) by taking a little “time walk” – one that began last Friday with

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"Omar Khayyam"
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Toussaint’s Pop Persian Poetry

Browsing 45Cat’s database for 1966 singles associated with Allen Toussaint, my eyes were immediately drawn to an A-side entitled “Omar Khayyam” by The Rubaiyats, issued on Toussaint’s own Sansu label.  As it turns out, the band’s name is inspired by the term for “a collection of Ruba’i”  (as in the

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"The Name Game"
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Naomi Neville = Allen Toussaint

Allen Toussaint was the headlining act for the 2009 Silver Spring Jazz Festival.  At that time, the festival venue was the parking lot behind the facade of the old JC Penney building, just prior to its conversion (using millions of taxpayer dollars) into the Live Nation concert facility that would

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