Who are/were The Surf Symphony — and why just the one Capitol 45?
“Night of the Lions” The Surf Symphony 1969
Wait! As it turns out, the joke’s on us: This is a “supercharged” instrumental version of the song “Night of the Lions” from Mark Eric‘s A Midsummer’s Day Dream. released in 1969. Imagine your first album is coming out – on a major label – so you release your first 45 … under a completely different name! It actually happened, but why — was it a bid to stir up controversy?
Mark Eric Malmborg
Much more intriguing, however, is the flip side “That Bluebird of Summer,” a composition that embodies Brian Wilson’s distinctive ‘West Coast’ musical sensibility to an uncanny degree – as if it were some so well long lost track from Smile (actually, more like Friends).
True or False: “That Bluebird of Summer” is a non-LP B-side.
This Surf Symphony B-side is included on 2013’s Book a Trip 2: More Psych Pop Sounds of Capitol Records — wish I had the liner notes to refer to.
Impossible not to notice that A Midsummer’s Day Dream would be released on a different label, Revue. As Rockasteria explains, “Eric and his collaborator/arranger, former Animals guitarist Vic Briggs, apparently wrote these twelve tracks intending to place them with other acts. The sessions were apparently only intended to demo the material, but the results were so impressive that Revue decided to release it as a Marc Eric effort.”
Note use of “Future Shock” typeface for label name, Revue
One other 45 from that album would be released – “Where Do the Girls of the Summer Go” b/w “California Home” – however, it would be issued under the name ‘Mark Eric‘!
This one album and two 45s would be Mark Eric Malmborg’s entire recorded output.
Mark Eric, as it turns out, is not actually involved with the Surf Symphony — Zero to 180 missed the boat on this one, as the comment appended below attests. Musician credits for this album reveal Mark Eric to have merely authored the album’s closing track.
- Musical personnel used on Surf Symphony’s 1969 Song of Summer LP:
Bass: Lyle Ritz & Ray Pohlman
Cello: Anne Goodman, Frederick Seykora, Jesse Ehrlich & Raymond Kelley
Drums: Jim Gordon
French Horn: Arthur Maebe, George Price, Henry Sigismonti, Richard Perissi, Vincent Da Rosa & William Hinshaw
Guitar: Ben Benay, Mike Deasy & Vic Briggs
Harp: Gail Laughton
Keyboards: John Myles & Mike Rubini
Percussion: Gary Coleman
Trombone: Dick Hyde & Lou McCreary
Trumpet: Olliver Mitchell & Virgil Evans
Viola: Gareth Nuttycombe, Joseph Di Fiore, Louis Kievman & Samuel Boghossian
Violin: Arnold Belnick, Assa Drori, Darrel Terwilliger, Herman Clebanoff, John De Voogdt, Leonard Malarsky, Lou Klass, Lou Raderman, Marshall Sosson, Michael Nutt & Nathan Ross
Woodwind: Jim Horn & Jules Jacob
- Concertmaster: James Getzoff
- Conductor: Jan Rubini
- Copyist: Barbara Caton, Norman Bartold, Roy Caton & Virgil Evans
- Engineer: Jack E. Hunt
- Producer: Michel Rubini & Victor Briggs