“I Say Gooday Goodnite”: Hello Goodbye from NRBQ

I picked up an odds & sods collection of NRBQ tracks – Stay with We – taken from their short-lived stint on the mighty Columbia label.  One tune that I found to be particularly energizing – “I Say Gooday Goodnight” – was identified in the CD’s liner notes as “previously unreleased,” which I found to be rather unjust:  had Columbia allowed NRBQ to release a second proper album (the label’s “arranged marriage” with Carl Perkins, Boppin’ the Blues, from 1969 doesn’t count), this spirited recording of Steve Ferguson’s 87-second romp would undoubtedly have been on there:

“Future Shock” typeface in popular music

NRBQ CBS 45 picture sleeve

You Can’t Keep a Good Song Down

I am happy to report that “Gooday Goodnite” has recently been revitalized by those irrepressible Spampinato Brothers:

Kenny Smith: From Soul Street to God Pop and Beyond

Thanks to Darren Blase and Shake It Records for assembling an 18-track collection of recordings by singer, songwriter & producer, Kenny Smith, that span a total of eleven labels:  Fraternity, Chess, President, RCA, Flo-Roe, Goldspot, Clearhill, Counterpart, General American, Kogan and Lena.  Intriguing to discover that the one-time host of Cincinnati’s local soul music TV show – Soul Street – once released a quirky 45 on famed blues label, Chess (“Keep on Walkin’ Baby“) that would have been a fine and fitting addition to the Nuggets box set of 60s garage band singles.

I was also amused to learn that “Lord, What’s Happening To Your People?” – issued in 1971 as the first and only release on Kenny’s own Goldspot label – was “written to cash in on a particular trend that Kenny describes as the ‘Jesus-rock era'” (i.e., God Pop).

1973’s “Everybody Knows I Love You,” according to Kay-Dee Records, was a massive northern soul hit in the UK –should have been a much bigger radio hit here in the US:

Cincinnati Enquirer‘s May 11, 1972 edition included this news item:

“WKRC-TV and General-American Productions will co-operate in an ambitious project to produce an hour-long black music-dance show for youth, Soul Street, beginning with the shooting of a pilot Sunday.  Intentions are to syndicate it.  The host will be Kenny Smith, Kennedy Heights, well-known local composer-singer.  Two Channel 9 staffers, Jim (Oscar) Welch and Ron De-Morales, will serve as producer and director, respectively, on a free-lance basis.  Bob Lanier, GAP vice-president/general manager, will be executive producer.  Pilot guests include the Four Tops, Funkadelic, Bill Doggett and Tommy Sears.  James Brown has agreed to co-host every fifth show, starting with the second, Lanier said.  Guests for succeeding shows include Gladys Knight and the Pips, Eighth Day, Chase, Carla Thomas, Soul Children, Major Lance, Emotions and Chi-Lites.  Kenny Smith’s GAR single, ‘Lord, What’s Happening to Your People?’ is scoring well.  He penned The Platters’ ‘Think Before You Walk Away.'”

Kenny Smith poster

Soul Street in Under 50 Words

According to Historic Films (owner of the show’s only surviving tapes), Soul Street was on the air for two seasons,1969-1971, and featured performances and interviews with such artists as James Brown, Bill Doggett, Carla Thomas, Roberta Flack, The Stylistics, Gladys Knight & the Pips, and Millie Jackson.

 

“B-A Bay” vs. “The Name Game”: Tongue Twister Showdown

I remember being a bit intimidated when I first heard “The Name Game” – Shirley Ellis’s big tongue twister of a hit – half fearing I would never be able to break the code behind the rhyming game (fortunately, with persistence, I one day did).  “The Name Game,” it is worth noting, was released three separate times on 45:  in 1964, 1966 and 1973.

Name Game - Shirley Ellis LP

How intriguing then to discover another tongue twister – “B-A Bay” from The Limeliters –   that is just as fun and challenging and whimsical … and yet a relative unknown in the collective pop consciousness as represented on the information superhighway:

B-A Bay – The Limeliters

[Pssst:  Click on the triangle above to play ”B-A Bay” by The Limeliters.]

This song was issued on an album – Through Children’s Eyes: Little-Folk Songs for Adults – that was originally performed live and recorded in December 1961 in Berkeley, California.

Would you be surprised to learn that The Limeliters derived the song’s inspiration directly from The Three Stooges?