September 14, 1967 may not be a date that registers strongly in Cincinnati local history, but it should: for on this date, James Crawford recorded a mighty slice of James Brown-produced funk – “Fat Eddie” – at King’s recording studios on Brewster Avenue:
“Fat Eddie” — co-written by Crawford with James Brown and Bud Hobgood — was selected as the B-side of “I’ll Work It Out” and released by King in October, 1967. The A-side received a favorable review (“feelingful slowpaced, James Brown-produced moaner”) in Cash Box‘s November 4, 1967 issue.
Alto Saxophone: Pee Wee Ellis
Tenor Saxophone: Maceo Parker
Baritone Saxophone: St-Clair Pinckney
Bass: Bernard Odum
Drums: Clyde Stubblefield
Guitar: Alphonso ‘Country‘ Kellum & Jimmy Nolen
Organ: Bobby Byrd
Vocals: James Crawford
Sir Shambling’s Deep Soul Heaven offers this biographical profile of James Crawford:
A member of the James Brown Revue for several years, Crawford is one of several artists who were so mesmerised by the Great Man’s personality and success that they attempted to make their vocal styles indistinguishable from the real thing. He came from Toccoa, Georgia where he sang with a young Bobby Byrd in the Gospel Starlighters, and where he may have started his involvement with JB. Crawford never really mastered James’ crude “rasp”, having a naturally purer tone to his voice, but his sense of timing and dynamics are straight Brown. No doubt the presence of Brown sidemen like Nat Jones – not to mention James’ own production skills – reinforced this tendency.
He cut some funk/boogaloo tracks of course, like “Much Too Much”, “Help Poor Me” and “Honest I Do” but also recorded some really cracking ballads. “Strung Out” was the first, a simple but very effective song. A great plodding bass line, piano triplets and subdued horns back Crawford up as his voice cracks with emotion – lovely. “Stop And Think It Over” is another first rate performance, over a stop/go structured ballad, with minor keyed chord changes and a sympathetic string section. Think Brother James on “Man’s Man’s World” and you’ll be in the right territory.
“Hooray For The Child Who Has It’s Own” is fine deep soul as well, the “climbing” horn chart and arpeggio piano giving Crawford room to show his abilities. “I’ll Work It Out” may just be the best of the bunch though. For my money it’s his most committed and emotionally compelling effort, and the backing is just magic, with the guitar and horns meshing to superb effect.