“Midnight Cowboy” — Sleep Aid

Today Zero to 180 turns eight.

Several months ago, I received a surprise phone call from writer, Steve Rosen, who informed me that he was putting together a feature article for Cincinnati Magazine that uses my “Cincinnati in Song” piece as a launching point.. Furthermore, for this piece, I was invited to contribute a 500-word sidebar of my Top Ten Cincinnati songs — such a marvelous birthday gift! . To help generate buzz for this article (entitled “Sing a Song of Cincinnati“) in the magazine’s December issue, I rolled out my Top Ten on Zero to 180’s Facebook page one song per day (beginning December 1st), with supplemental historical details not previously disclosed.

Unfortunately, today’s post threatens to undo all the positive momentum, as a result of the misguided decision to unfurl a new guitar arrangement of the “Midnight Cowboy” theme by Silver Spring-based music duo, Dubble Trubble.

Dub-inspired pop fusion (or so it says in their press packet), this take on John Barry‘s haunting soundtrack theme may one day end up as the title track of the duo’s debut collection — Twelve O’Clock Cowboys — of late-night sounds (streaming audio link):

“Twelve O’Clock Cowboy”

Richard Harrington recently observed that Joni Mitchell submitted her own composition for the film – titled “Midnight Cowboy” – only to have the song rejected!. The sole recording of Mitchell’s soundtrack offering, notes Harrington, can be found on the Atlantic debut album by Washington, DC’s one-time “favorite folk singer” (and Roberta Flack collaborator), Donal Leace, who departed us this past November due to COVID-19.

Donal Leace rememberedWashington Post

Zero to 180 Milestones:  Years 0-7
  • Inaugural Zero to 180 post that established a bona fide cross-cultural link between Cincinnati (via James Brown’s music recorded and distributed by King Records) and Kingston, Jamaica (i.e., Prince Buster’s rocksteady salute to Soul Brother Number One).
  • 1st anniversary piece that featured an exclusive “Howard Dean” remix of a delightful Sesame Street song about anger management (with a special rant about how WordPress’s peculiarities made me homicidal the moment I launched this blog).
  • 2nd anniversary piece that refused to acknowledge the milestone but instead celebrated the under-sung legacy of songwriter/session musician, Joe South – with a link to South’s first 45, a novelty tune that playfully laments Texas’s change in status as the nation’s largest state upon Alaska’s entry into the Union.
  • 3rd anniversary piece that revealed the depths to which Zero to 180 will sink in order to foist his own amateur recordings onto an unsuspecting and trusting populace.
  • 4th anniversary piece that formalized – as a public service – musical chord changes for an old (and tuneless) “hot potato” playground game called ‘The Wonderball.’
  • 5th anniversary piece that paid tribute to the Buchanan & Goodman “break-in” records that helped fuel (along with Mad Magazine) this young music fanatic’s appetite for satire.
  • 6th anniversary piece that introduced contemporary music product (dub-inspired pop fusion) — in direct violation of Zero to 180’s must-be-20-years-or-older policy.
  • 7th anniversary piece that gave the previous year’s submission a good swift kick in the pants.