Bernard Purdie at King Records

Zero to 180 is thrilled to learn that two titans of funk who both recorded for King – BernardPrettyPurdie and WilliamBootsyCollins – are teaming up for a set of new recordings.  In accordance with this event’s historical significance, the Mayor of Cincinnati, John Cranley, recently paid tribute to Purdie’s King drumming legacy by proclaiming January 5, 2019 to be “Bernard Purdie Day“!  Zero to 180 is honored to have provided the King Records Building Non-Profit Steering Committee with background research in preparation for this proclamation.

<Click here to view Mayor Cranley’s Bernard Purdie Day proclamation>

Bernard Purdie @ King Records – 1/5/19

Photo by Celia Purdie

Purdie’s first King sessions for Mickey and Sylvia, actually, precede his work for James Brown and yet, nevertheless, connect him once more to hip hop history, as vocalist, Sylvia Robinson (née Vanterpool) – “the Mother of Hip Hop” – would go on to found Sugar Hill Records!   Ruppli’s King Labels recording sessionography lists Bernard Purdie as the drummer on Mickey and Sylvia’s big hit,  “Love Is Strange” — not the original 1956 recording but a “redoof the song several years later for the tiny Willow label, as Purdie recounted for Drum Magazine in their January 16, 2013 edition, .

But wait!  As Ruppli reveals, Willow was, in fact, a label distributed by King Records. Furthermore, Discogs asserts Willow to have been a subsidiary label “created in 1961 by Mickey [i.e., Baker, long-time King session guitarist] and Sylvia.”   Purdie’s name is listed as drummer for Mickey and Sylvia on at least 4 sessions for Willow in 1961 that produced six songs [click on all song titles below for streaming audio]:

⇒ “Love Is Strange
⇒ “Walking in the Rain
⇒ “I’m Guilty
⇒ “Since I Fell for You
⇒ “He Gave Me Everything
⇒ “Darling (I Miss You So)”

Check out Mickey Baker’s searing guitar work on “Darling (I Miss You So)” – a fantastic 45 waiting to be rediscovered:

“Darling (I Miss You So)”     Mickey & Sylvia & Bernard     1961

Five years later, Purdie would lay down drums on the first of six recording sessions for James Brown between the years 1966-1968, according to Ruppli’s session notes:

Session #1> March 30, 1966 — New York City

James Brown with Band – Sammy Lowe, arranger/conductor – including Waymon Reed, Dud Bascomb & Lamar Wright (trumpets); Haywood Henry (baritone sax); Unknown (trombone); Nat Jones (piano); Jimmy Nolen or Wallace Richardson (guitar); Unknown (bass) & Bernard Purdie (drums) plus strings:

EP France – 1966                                               45 Italy – 1966

45 Germany – 1966                                     45 Australia – 1966

Session #2> January 25, 1967 — New York City

James Brown with Band – Sammy Lowe, arranger/conductor – including Joe Newman, Waymon ReedDud Bascomb (trumpets); Ernie Hayes (trumpet/piano); Richard Harris, Jimmy Cleveland & Garnett Brown (trombones); St-Clair Pinckney (baritone sax); Carl Lynch & Wallace Richardson (guitars); Al Lucas (electric bass) & Bernard Purdie (drums):

  • Kansas City
  • “You’ve Got the Power” [unissued version]
  • Think” [issued as by James Brown & Vicki Anderson]
  • Fever

45 Spain – 1967

EP Spain – 1967                                               45 France – 1967

Session #3> March, 1967 — New York City

James Brown with Orchestra – Sammy Lowe, arranger/conductor – including Unknown (trumpets, trombones & French horns); Ernie Hayes (trumpet/piano); Jimmy Nolen or Wallace Richardson (guitar); Al Lucas (electric bass) & Bernard Purdie (drums) plus strings:

  • “I Guess I’ll Have to Cry, Cry, Cry” [unissued]
  • “Too Much”  [unissued]
  • You’ve Got the Power” [issued as by Vicki Anderson & James Brown]

ALSO = Vicki Anderson “with prob. same band” on “prob. same date” recorded “(Something Moves Me) Within My Heart” [although unissued].

ALSO = King Coleman (vocals) “with similar band” – Sammy Lowe, arranger/conductor – on two tracks:

45 USA – 1968                                                   45 USA – 1967

Session #4> April 5, 1967 — New York City

James Brown with Band – Sammy Lowe, arranger/conductor – including John GrimesDud Bascomb & Waymon Reed (trumpets); Ernie Hayes  (trumpet/piano); Richard Harris, Jimmy Cleveland & Garnett Brown (trombones); AlfredPee WeeEllis (tenor sax/piano); St.-Clair Pinckney (baritone sax); Carl Lynch & Wallace Richardson (guitars); Al Lucas (electric bass) & Bernard Purdie (drums):

*ALSO = Vicki Anderson “with prob. same band” on “prob. same date” recorded “People” [although unissued].

Promo 45 USA – 1968                                     45 Canada – 1968

                        45 USA – 1967                       “Stagger Lee”/”Fever” 45 Nigeria – 1968?

Session #5> October 4, 1967 — New York City

James Brown with Band – including Dud BascombJohn Grimes, & Ernie Hayes (trumpets); Richard Harris (trombone); Haywood Henry (baritone sax); Wallace Richardson & Carl Lynch (guitars); Al Lucas (electric bass); Bernard Purdie (drums); Julian Cabrera (congas); Rafael Rivera (timbales) & Edward Williams (percussion) plus strings [Selwart Clarke; Charles Libove; Harry Katzman; Sam Ram; Winston Collymore; Harry Melnikoff; Nick Hardone; Matt Raimond; Marion Cuabo; Sidney Edwards]:

           45 France – 1968                                 45 Germany / Italy / Spain – 1968

EP Mexico – 1968                                         45 Rhodesia – 1968

Session #6> June 27, 1968 — New York City

James Brown with Band – Sammy Lowe, arranger/conductor – including John Grimes & Waymon Reed (trumpets); Les Asch (tenor sax); David Parkinson (baritone sax); AlfredPee WeeEllis (organ/piano); Wallace Richardson (guitar); Al Lucas (electric bass) & Bernard Purdie (drums):

   6 of 7 tracks above included on 1968 LP     …..     as well as stereo 8-track Tape

ADDITIONAL James Brown tracks!

According to musician credits posted on Discogs, Bernard Purdie also played drums on James Brown B-side “I Know It’s True” [1972], as well as “Woman (Pts. 1 & 2)” [1973] — both songs arranged by Sammy Lowe (though, “Woman (Part 2)” appears not to have been issued in the US market, curiously).

45 Belgium – 1972                                            45 Germany – 1972

45 France – 1972                                            45 Netherlands – 1974

 45 Netherlands – 1973                                        45 France – 1973

45 Germany – 1973                                           45 Belgium – 1974

Update on King Records Preservation Efforts:

“King Dream Team” at 1540 Brewster Ave.

[L to R] Philip Paul; Bernard Purdie; Celia Purdie; Otis Williams; Bootsy Collins; Anzora Adkins

Photo by Elliott V. Ruther

According to Herzog Music, “The City of Cincinnati now owns the King Records buildings on Brewster Avenue in Evanston.  The King buildings are being stabilized with $700,000 of city and Evanston funds, thanks to a united City Council.”

“With Mayor John Cranley and the City of Cincinnati, a restricted fund for the buildings has been established through the King Records Building Non-Profit Steering Committee to raise private funds and realize the revitalization vision.  The Steering Committee comprises leadership of Evanston Community Council, Bootsy Collins Foundation, King Studios and Cincinnati USA Music Heritage Foundation (CMHF).

“CMHF will acknowledge the tax deductible donations and share with each Steering Committee organization as it works to formalize the non-profit arrangement with the City.  CMHF is a non-profit, 501(c)(3) organization — donors may deduct contributions as provided in IRC 170(c)(3) of the U.S. Tax Code.”

You can be part of the King Records revitalization success story — please consider a donation to the King Building Fund.

The Men in Black:  Bernard & Bootsy

Photo courtesy of the Bootsy Collins Foundation

Stay plugged in:   Bernard Purdie and Bootsy Collins

Special thanks to Elliott V. Ruther of the Cincinnati USA Music Heritage Foundation

Derek Trucks wearing a Bernard Purdie shirt on Austin City Limits

King’s Funky Nursery Rhyme

Love this playful take on the old nursery rhyme – for extra credit, count all the key changes:

“Three Soulful Mice”     carlton “King” Coleman      1967

Somehow this single has eluded the attention of the fine catalogers at 45Cat (i.e., not in their datbase).  I have to assume – as Discogs.com claims – that “Three Soulful Mice” really was a B-side, as there are no images of this flip side anywhere to be found online.   Zero to 180 is, frankly, puzzled as to why this fetching (and funky) arrangement by (Old) King Coleman is not more widely known.  45 years later, an original 45 would command $36 on Ebay.   So there.

The musicians backing King Coleman on this track, according to Ruppli’s The King Labels — A Discography, would come from James Brown‘s musical organization – and it sure sounds like it!  Determining which musicians played on this recording, however, might require a small team of researchers.

Ruppli indicates that a string of March, 1967 sessions were recorded in New York City and that the King Coleman session used a “similar band” as the preceding one with Vicki Anderson.  The musicians for Vicki Anderson’s (ultimately unissued) recording are “probably the same” band members as the preceding James Brown session that produced “You’ve Got the Power” — and only a small number are identified:

Ernie Hayes:  trumpet & piano
Jimmy Nolen or Wallace Richardson:  guitar
Al Lucas:  bass
Bernard Purdie:  drums
Sammy Lowe:  arranger & director

King would release two King Coleman singles in 1967 [“The Boo Boo Song (pts. 1&2)” and “Hang It Up” b/w “Three Soulful Mice“] – plus one final 45 in 1971 “Boo Boo Song (pt. 1)” b/w “Rock Gospel Mash.”

Coleman would record for over a dozen labels in his lifetime, including Columbia, Atlantic & Philips.  Kudos to Norton Records for including “Three Soulful Mice” on It’s Dance Time, their King Coleman compilation from 2003.  And a royal doff of the cap to “Breakfast Blend with Amanda” on Richmond radio’s 97.3 WRIR FM for playing this can’t-miss track one fine Tuesday morning in the Fall of 2013.

Using this 1971 King promo 45, as no image of “Three Soulful Mice” on internet

King Coleman-1971 promo 45Arranged by Dave Matthews — A James Brown Production