As with Waylon Jennings‘ deeply-felt “Abilene” or Ruby Wright’s surprisingly bass-centric “Adios Aloha,” one cannot but feel alarmed by the depth of bottom in the opening synth notes of this charmingly analog production – recorded at Cincinnati’s Counterpart Studios, with Shad O‘Shea and Wes Boatman at the helm (get it?):
“Capricorn Flight” The Saturn Symphony Orchestra 1981
Lo and behold, “Capricorn Flight” would be from the pen of Manzel Bush – however, using the alias The Saturn Symphony Orchestra. Last September, Zero to 180 celebrated the groovy ‘space funk’ sound of Manzel, who would record two 1970s dance tracks for Cincinnati’s Fraternity that would be highly sought by DJs and vinyl enthusiasts in the decades since.
Manzel Bush photo courtesy of Discogs.com
Three digits for original copies of “Capricorn Flight” are what to expect at auction. with prices hitting as high as $316 in 2008 and $210 plus $200 — both from 2018.
First appearance of Cincinnati skyline in Zero to 180
Is Cincinnati aware the degree to which Manzel‘s two 45s “Space Funk” (from 1977) & “Midnight Theme” (1979) have become revered dance tracks around the globe? Note the trippy backwards drumming intro that immediately draws in the listener on “Space Funk”:
Worth noting that Harry Carlson would sell 20-year-old Fraternity to Shad O’Shea in 1975, thus allowing Fraternity to stake a claim as “America’s oldest continuously operating independent record label.” Shad would consolidate operations at Counterpart Creative Studios in Cheviot, where Manzel’s two singles would be created.
What’s the deal with this 1988 release? Need info, please
“The Manzel story began quite unsuspectingly. In 1976 O’Shea built Cincinnati, OH’s first state-of-the-art recording studio, Counterpart Creative Studios, and recorded some sessions by Manzel. The instrumental funk group from Lexington, KY, consisted of Manzel Bush (keyboards), John L. Van Dyke (guitar), and Steve Garner (drums). Just before the sessions were totally finished, Lieutenant Bush got called off to military duty in Germany, and O’Shea hired some players from the Cincinnati Symphony Orchestra to finish off the sessions. The first of the recordings to see the light of day were ‘Space Funk’ b/w ‘Jump Street,’ which O’Shea released on Fraternity in 1977.”
Discogs has the rest of the story:
“Two years later, after some further tweaking by Bush, came the ‘Midnight Theme’ b/w ‘Sugar Dreams’ 45, and that was that. Manzel were no more. Bush stayed in the military, raised a family, and left music behind. Twenty-five years later, in 2004, the recordings of Manzel resurfaced with the aid of Kenny Dope and the Undercover Brother. The two wanted to reissue the original, very rare, and quite bootlegged Manzel recordings. However, the Dopebrother guys didn’t just reissue the original 45s. They dug up the tapes from the original Manzel sessions at Counterpart Creative, remixed and remastered them, and then released everything on a lavishly detailed CD, Midnight Theme. They also released a ‘Midnight Theme’ b/w ‘Space Funk’ single on 7″ vinyl with a picture sleeve reproducing the artwork from a flyer for a Manzel show in the ’70s.”