Just as “Boliver Shagnasty” conveys the comic sensibility of a more modern mindset, Sweden’s Slam Creepers similarly seems like a band name of relatively recent vintage (e.g., 80s hardcore?) — and yet, their first release, fascinatingly enough, was a split single in 1965: a 7-inch flexi-disc in which shared Slam Creepers shared space with The Hollies and fellow Swedish band, Lucas!
Vinyl debut: Slam Creepers on … flexi-disc!
Four years and a handful of singles later, Slam Creepers would find themselves in another “shared” arrangement — a 12-inch “Shelby Singleton product” wherein the band would be rubbing shoulders on the same LP with Jeannie C. Riley, The Hep Stars, and Mister “Cincinnati Kid” himself, Prince Buster!
The Hep Stars would include future ABBA founder, Benny Anderson
Title of the Hep Stars’ first album: ‘WE AND OUR CADILLAC‘
Worth considering how “radical” it was in 1969 to release a sampler album that co-mingled late 60s country (Riley), Jamaican rocksteady (Buster) & Swedish pop (Slam Creepers & The Hep Stars) – although this album was issued in the Spanish market.
From a typography standpoint, I am very intrigued that Slam Creepers utilized – as would their American musical colleagues, The Afro-Blues Quintet Plus One – the “Future Shock” typeface for the cover of their 1967 debut album:
Are there any earlier LPs with this same “Future Shock” typeface than these from 1967?
CONTEST OPEN TO ALL:
Who can find the earliest musical use of this 1960s typeface?
In 1968, Slam Creepers would issue two singles, and – in the noblest Beatles fashion – these four songs would not find release on the band’s sophomore ’68 LP Sweet Ruth.
Slam Creepers’ 1968 B-side “Hold It Baby” reveals a refreshing American soul influence:
“Hold It Baby” Slam Creepers 1968
Wanna take a trip to Catchy Town? Check out 1968 sure-fire hit, “We Are Happy People“.