Zero to 180 – Three Minute Magic

Discoveries of a Pop Music Archaeologist

100+ Years of Baltimore in Song

Myla Goldberg, a self-identified and staunch “Yankee,” contributed an essay in State by State:  A Panoramic Portrait of America that relates, in amusing fashion, how her “incipient sense of state pride” as a grade-school student “was dependent upon Maryland’s Northern-ness.”   Maryland’s decision, for instance, to fight for the Union cause, Goldberg reasoned, validated her unquestioned assumption that The Free State had, indeed, “chosen the correct side of history” — in spite of the fact that Maryland, after all, was a slave-holding border state located below the Mason-Dixon line.

Goldberg was forced to confront a much more complicated truth, however, when she tried to get fifth-grade teacher, Mrs. Henley, to lead the class in a sing-along of Maryland’s state song.  This Confederate marching song and plea for secession (sample lyric:  “Maryland!  She is not dead, nor deaf, nor dumb.  Huzza!  She spurns the Northern scum”), was written, Goldberg would later learn, in violent response to the sight of Federal troops disembarking in Baltimore en route to protect the nation’s capital, i.e., The Baltimore Riot of 1861 — the first casualities of the American Civil War.  Myla would eventually figure out why Mrs. Henley had failed to honor her request.

Maryland Oh Maryland

I, too, went through a similar psychological journey and process of “civil re-education” after my move to Maryland in 1992, as I tried to make sense of the state’s history.  Baltimore’s mayor (I was late to learn) — along with the city’s council, police chief, and entire police board — were all imprisoned in Fort McHenry during the Civil War due to their Confederate sympathies.  The plot to kill newly-elected President Lincoln on his railway journey from Springfield to Washington in 1861, I discovered thanks to Smithsonian Magazine‘s special report in 2013, would be foiled by detective Allan Pinkerton in Baltimore, a hotbed of anti-Northern sentiment at the time.

But Baltimore’s big-city charm and strong industrial past obscure its Southern heritage – at least to relative newcomers such as myself, who commuted there for a number of years.  Charm City also has a vital arts scene, as evidenced by its annual Artscape festival, quirky Visionary Art Museum, prestigious Maryland Institute College of Art, renowned music conservatory, Peabody Institute — and John Waters.

Most interestingly, Baltimore – like Cincinnati – would inspire a surprisingly vast number of songs that bear the city’s name in their song titles — thousands of thanks to the esteemed music writer Geoffrey Himes for his invaluable assistance with the research, as well as another music scholar, Joe Vaccarino, author of Baltimore Sounds, whose additions to this “Baltimore in Song” list filled an important chronological gap that has resulted in an impressive 17-year continuous streak between the years 1995-2012:


Baltimore Is the New Brooklyn

Baltimore 45-aBaltimore 45-aaaaBaltimore 45-bBaltimore 45-cBaltimore 45-dBaltimore 45-eBaltimore 45-fBaltimore 45-gBaltimore 45-iBaltimore 45-h

1966 hit written for Bobby Bare – yet this version came out in 1964?

[Shore Bird, Orioles farm team mascotyet this is a label from Oklahoma!]

Baltimore 45-z

Bust of Baltimore-born Zappa at a local library

Zappa Bust - Baltimore Libary

US penny shaped into Frank Zappa‘s image

[from a pressed penny machine at a Maryland service plaza off I-95]

Zappa Penny - Baltimore


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5 Responses

    1. Thank you for the tip! Finally got around to updating my Baltimore in Song piece. Added “Baltimore Bombashay” from 1909 – now the earliest song on the list! Also “Baltimore Bounce” by the Al Sears Orchestra from 1951 (one of two King records from 1951 on the list). Thanks to you, the title of the piece can now be changed to ‘100 Years of Baltimore in Song’- a full century, no longer just 90 years!

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