Zero to 180 – Three Minute Magic

Discoveries of a Pop Music Archaeologist

Category: Native America in popular music

"Washita Love Child"
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“Washita Love Child”: Jesse Ed & Eric Whatsisname

In The World of Indigenous America, Brian Wright-McLeod writes of the “powwow style” and its influence in popular music, as exemplified by such artists as Jim Pepper, Peter DePoe, and Jesse Ed Davis: Jesse Ed Davis (Comanche-Kiowa) began his work as a leading session guitarist in the early 1960s when

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"Witchi Tai To"
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“Witchi Tai To”: Pop Chant

How did I only just learn of “Witchi Tai To“?  This morning I heard this song for the first time, and it immediately occupied the empty spaces in my soul and refused to leave: “Witchi Tai To“ Topo D. Bill (1969) I am hardly the first person to react this

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"God Out West"
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“God Out West”: Link Wray Sings Hallelujah

Between the years 1971-1974, Link Wray entered into a business relationship with Polydor Records that yielded four albums – but no singles (*actually, a small handful).  Link’s debut Polydor album, 1971’s Link Wray, found him embracing his Shawnee heritage at a time when popular interest in Native American culture and

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"Squaws Along the Yukon"
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Hank Thompson: Western Swing’s Dean of Diction

In my prior post about the Nashville Chowdown LP, I mentioned that back in the early 70s jazz singer Blossom Dearie‘s  “exceptional annunciation” was being put to good use in the ‘Singing Rice-ipe’ radio ads.  If Blossom Dearie had a male counterpart, that person would undoubtedly be Hank Thompson, whose

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