Zero to 180 – Three Minute Magic
Heavy 1968 rocksteady from the studio of Karl ‘Sir JJ‘ Johnson, with Lyn Taitt, possibly, on guitar. But the real mystery lies with the vocalists themselves, The Kingstonians, specifically the basso profundo: Q: Are the tapes being slowed down, or does the bass vocalist really sing that deep? “Put Down
Will Ferrell’s inspired sketch idea as a cowbell-wielding member of Blue Oyster Cult named Gene Frenkle may have lost some of its freshness, however Ferrell deserves credit for galvanizing interest in this long-neglected member of the percussion family. Five years after that Saturday Night Live sketch originally aired, Paul Farhi
Very little seems to be known about this great single from the late rocksteady/early reggae era other than the artist name (Cliff & the Diamonds), the producer (Joe Abrahams), and song title (“Mother Benge“) – check out the hip musical non-sequitur that opens the song: “Mother Benge“ Cliff & the
IThe Melodians recorded two versions of the same song – “Little Nut Tree.” The first version — recorded with underappreciated and pioneering producer, Sonia Pottinger, after the group had enjoyed a succession of hits on Duke Reid’s Treasure Isle label — is definitely on the rocksteady side of the reggae
You can count on one hand the number of times that reggae singles by Jamaican artists have cracked the Top 40 here in the States: “Israelites” by Desmond Dekker in 1969 (#9) and “Double Barrel” by Dave Barker and Ansel Collins in 1971 (#22). Two times [*actually, three – see
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