Zero to 180 – Three Minute Magic

Discoveries of a Pop Music Archaeologist

Category: Henry Glover

Henry Glover
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Henry Glover’s Monumental Musical Legacy

Part One — Historical Overview & Narrative Composer, producer, arranger, publisher, talent scout, vocalist, trumpet player, engineer, A&R executive, and later, a label owner in his own right, Henry Bernard Glover — notes Nick Duckett in the liner notes that accompany the 123-track Henry Glover Story anthology — was “one

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Henry Glover
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King Records Trivia: Maxi-Tweets

Fun Facts & Trivia —  Top Tweets from King Records Month 2018 As with the previous piece (“King’s Jazz Legacy“), it seems silly to keep all this rich history from last year’s King 75th Anniversary tucked away in a file attachment.  One year later, it has become increasingly obvious that

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"The Atomic Telephone"
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“Atomic Telephone”: King 78

King Records Month 2018:  King Turns 75! Folks who do not have enough dough (or shelf space) for Bear Family’s undoubtedly meticulous and wide-ranging box set of popular music from the original Atomic Age, can nevertheless simulate the experience by (1) keyword searching 78 RPM using the word “atomic” (also

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"Ocean Liner (Bossa Nova)"
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Calvin Shields — Musical Pioneer

Hard to believe it was only 20 years or so ago I was having cheese coneys with The Cincinnati Enquirer‘s preeminent music writer Larry Nager and asking what it would take for the city to finally “own up” to its King Records history.  Last week, to my utter delight and

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"Haulin' Freight"
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“Haulin’ Freight”: 1959 (not 1951)

An Ebay sales listing from January, 2016 validates my hunch that truck driving classic “Haulin’ Freight” by Bob Newman was recorded twice — first, in 1951, and then again in 1959 with some of the rough “barrelhouse” edges smoothed out via overdubs.  The more contemporary version would be issued again

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July 1976: Meet the Ramones

One of my mom’s friends gave me two back issues of Rolling Stone, both dated July of 1976.  One issue in particular – the July 15th edition, with The Beatles on the cover, coincidentally enough (as you’ll later see) – is a time capsule rich in details, big and small:

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“Stop and Go Boogie”: It’s the Spaces in Between

Thanks to Dave Sax, whose liner notes from King Hillbilly Bop ‘n’ Boogie provide the back story on Louis Innis, a member of the “dream band” at King Records who had cut his first tune with the label in late 1947.   Prior to joining King, Innis had been a member

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