Smitten by the “Break-In” Record

I must have been about 9 or 10 when I first became aware of the “break-in” record, in which the man-on-the-street dishes up pop hit sound bites in response to each and every one of the news reporter’s questions.  I remember hearing “Watergrate” and “Mr. Jaws” on Cincinnati’s pop juggernaut, WSAI 1360 AM, and then, not too long after, obtaining an LP compilation of the better Buchanan and/or Goodman break-in records, from the first flying saucer 45 in 1956, all the way up to “Superfly Meets Shaft” & “Convention ’72.”

Cover design by JIM O’CONNELL

Watergrate + Superfly Meets Shaft

[Pres. Nixon in the driver’s seat, with Henry Kissinger riding shotgun & Spiro Agnew in the backseat, flanked by Superfly and Shaft]

 

I enjoyed the silliness of it all and was thrilled, as a fan of satire, by the send-up of pop culture, as well as straight society.  My brother Dean’s experiments stitching together break-in records at home inspired me to make my own, and I even roped in my friends to help me in my pointless series of “interviews” set at Fred’s (fictitious) Delicatessen.

Images below:  1962 LP ++ 1974 US 45 ++ 1977 JAPAN 45

Dickie Goodman LPDickie Goodman 45-xDickie Goodman 45-Japan

Zero to 180, thus, would like to celebrate a milestone — 5 years!  over 700 posts! — by force-feeding you an amateur “break-in” home recording (c. 1976) that features extensive sampling from the family record collection, aided in no small part by the 4-LP box set, Superstars of the Seventies.  Best to ignore the reporter’s inane line of questioning:

“Fred’s Delicatessen”     Chris Richardson & Co.     1976

[Pssst:  click triangle above to play “Fred’s Delicatessan” by Chris Richardson & Co.]

Zero to 180 Milestones:  The Preschool Years

  • Inaugural Zero to 180 post that established a bona fide cross-cultural link between  Cincinnati (via James Brown’s music recorded and distributed by King Records) and Kingston, Jamaica (i.e., Prince Buster’s rocksteady salute to Soul Brother #1).
  • 1st anniversary piece that featured an exclusive “Howard Dean” remix of a delightful Sesame Street song about anger management (with a special rant about how WordPress’s peculiarities made me homicidal the moment I launched this blog).
  • 2nd anniversary piece that refused to acknowledge the milestone but instead celebrated the under-sung legacy of songwriter and session musician, Joe South – with a link to South’s first 45, a novelty tune that playfully laments Texas’s change in status as the nation’s largest state upon Alaska’s entry into the Union.
  • 3rd anniversary piece that revealed the depths to which Zero to 180 will sink in order to foist his own amateur recordings onto an unsuspecting and trusting populace.
  • 4th anniversary piece that formalized – as a public service – musical chord changes for an old (and tuneless) “hot potato” playground game called ‘The Wonderball.’

“Sewer Lady”: Musically Unsanitary

Neil Hefti’s soundtrack to the Batman TV series is top-flight 60s instrumental music – playful and imaginatively-produced.  “Sewer Lady,” from the 1966 album, Batman Theme and 11 Hefti Bat Songs, was inexplicably overlooked by RCA for single release:

RCA Victor would release the “Batman Theme” 45 in late 1965 in the US and in Europe the following year – here’s the 45 picture sleeve for the Netherlands market:

Batman 45 - Netherlands1966 would see the release of Dickie Goodman’s affectionate sample-laden tribute, “Batman and His Grandmother” (who, at story’s end, gets drafted – reverse spoiler alert).

RCA would later issue “Batman Theme” as a single in the UK and Australia with “Holy Diploma, Batman – Straight A’s!” as the B-side in 1988.

“Frankenstein of ’59”: Roots of Sampling

Dickie Goodman, in partnership with Bill Buchanan, produced a series of comedic “break-in” records – newscast spoofs in which a fictitious reporter’s questions are met with carefully-selected snippets taken from the latest radio hits (i.e., early sampling).  Buchanan & Goodman’s groundbreaking partnership, which started in 1956, sadly lasted only lasted 3 years, and “Frankenstein of ’59” just might be among their last collaborations:

Frankenstein of 59