Bob Johnston’s Moldy Goldies

Bob Johnston – who famously produced Dylan‘s Highway 65 Revisited & Blonde on Blonde and Johnny Cash‘s Folsom Prison, among many other classic albums – left us last August.  How startling to discover that Johnston used Nashville’s finest session musicians in 1966 to record a “dazzling anti-masterpiece” (as notes AllMusic’s Mark Deming) that delighted in “punking” the pop radio hits of the day – a Columbia release with the comically bloated title, Moldy Goldies: Colonel Jubilation B. Johnston And His Mystic Knights Band And Street Singers Attack The Hits.

Sean Wilentz, in Bob Dylan in America, would deem it “one of the most obscure rock albums of the 1960s.”   Nashville Cream, in a 2012 interview with Johnston, would describe the album as, “superbly demented.”

Check out the vaguely Sgt.Pepper-inspired album cover:

Bob Johnston LPAnd yet this album was released in 1966 – prior to Pepper!

Listen as Bob and the boys deconstruct Shirley Ellis’s “The Name Game” to hilarious effect (this will require, unfortunately, that you manually drag the “progress bar” all the way to the 25:35 point — very last song on the album).  Try not to laugh when Johnston starts to lose it:

Bob Johnston’s entire ‘Moldy goldies/Colonel Jubilation’ album

Leader: Colonel Jubilation B. Johnston
Bass: Henry “Big Irish” Strzelecki
Drums:  Kenneth “Sledgehammer” Buttrey
Tambourine:  Durl Glin, Kenneth “Sledgehammer” Buttrey
Guitar:  Charlie “Bugs” McCoy, One-Finger Mac Gayden
Upright Piano:  Hargus “Pig” Robbins
Player Piano:  Jerry Smith
Harmonica:  Charlie “Bugs” McCoy, Henry “Big Irish” Strzelecki
Trombone:  Wayne “Tailgate” Butler
Trumpet:  Charlie “Bugs” McCoy*, “Taps” Tidwell
Violin:  Brenton “Ping-Pong” Banks
Vocals:  Durl Glin, Princess La Mar Fike, Mortuary Thomasson, Tommy “Mole” Hill
Vocals:  [Swamp Women] – Incomparable R. Lean, Luscious Norma Jean Owen
Producer:  Bob Johnston
Engineer:  Mortuary Thomasson

“Bob”: Palindromic in the Extreme

I took a chance on Weird Al’s 11th album – 2003’s Poodle Hat – and had a good laugh when I realized that his send-up of Bob Dylan’s “Subterranean Homesick Blues” was palindromic from beginning to end:

At the time of the album’s release, MTV reported that Eminem gave permission for Weird Al’s “Lose Yourself” parody, “Couch Potato” – but not a video (unfortunately, already in pre-production).  Thus, Weird Al had to scramble to put together another video that,   luckily for us palindrome fans, ended up being a hilarious spoof of Bob Dylan’s iconic series of rapid-fire lyrical images that accompany “Subterranean Homesick Blues” from the Don’t Look Back documentary of Dylan’s 1965 UK tour.

Weird Al - Bob Video

The lyric’s rhyme scheme is likewise impressive:

I, man, am regal – a German am I
Never odd or even
If I had a hi-fi
Madam, I’m Adam
Too hot to hoot
No lemons, no melon
Too bad I hid a boot
Lisa Bonet ate no basil
Warsaw was raw
Was it a car or a cat I saw?

Rise to vote, sir
Do geese see god?
“Do nine men interpret?” “Nine men,” I nod
Rats live on no evil star
Won’t lovers revolt now?
Race fast, safe car
Pa’s a sap
Ma is as selfless as I am
May a moody baby doom a yam?

Ah, Satan sees Natasha
No devil lived on
Lonely Tylenol
Not a banana baton
No “x” in “Nixon”
O, stone, be not so
O Geronimo, no minor ego
“Naomi,” I moan
“A Toyota’s a Toyota”
A dog, a panic in a pagoda

Oh no! Don Ho!
Nurse, I spy gypsies – run!
Senile felines
Now I see bees I won
UFO tofu
We panic in a pew
Oozy rat in a sanitary zoo
God! A red nugget! A fat egg under a dog!
Go hang a salami, I’m a lasagna hogLasagna Hog sign