When you think of truck-driving country classics, the names of four artists should come readily to mind: Dave Dudley, Red Sovine, Red Simpson … and The Willis Brothers! Brotherly harmonies + offbeat humor + trucker tales = a winning sound and track record.
An album of the same name with a pronounced truck-driving theme would follow in 1965, as well as another in 1967 Travelin’ & Truck Driver Hits (recycled + new tracks) plus one last stellar effort Hey Mister Truck Driver! in 1968.
Essential truck driving LP #1 Essential truck driving LP #2
“[Suzanne] Mathis [graphic designer co-responsible for Starday truck driving covers], like many others, got her job at Starday through her neighbor and accordionist, Vic Willis. The youngest of the Grand Ole Opry’s Willis Brothers trio, John ‘Vic’ Willis was both a recording artist and a song scout for Starday throughout the mid-sixties. He was also a career counselor on the side. He convinced [Starday head, Don] Pierce to employ several of his friends and at one point he even had Shot Jackson’s daughter, Arlene, and three of the Willis Brothers’ wives working at Starday.
The Willis Brothers — Charles ‘Skeeter,’ James ‘Guy’ and John ‘Viv’ — began playing professionally in 1932 and already had an impressive resume before joining Starday in 1960. Aside from making their own recordings for Mercury, Coral, Sterling, and RCA Victor (as the Oklahoma Wranglers), they also backed the immortal Hank Williams on his first recordings for the Sterling label (as the Original Drifting Cowboys), as well as Eddy Arnold for eight years at the peak of his career (1948-57). By the time they joined the Opry in 1960, they were again known as the Willis Brothers and that same year began a relationship with Starday.”
The Willis Brothers would release an impressive number of classic truck-driving 45s on Starday going all the way back to 1961 (i.e., pre-“Six Days on the Road”):
- “Big Daddy” b/w “It’s the Miles” [Dec. 1961]
- “Truck Driver’s Queen” b/w “Who’s Next On Your List: [Oct. 1963]
- “Give Me Forty Acres” b/w “Gonna Buy Me a Juke Box” 
- “Blazing Smokestack” b/w “Too Early to Get Up” 
- “Pinball Anonymous” b/w “When I Come Driving Through” 
- “Somebody Knows My Dog” b/w “The End of the Road” 
- “Ode to Big Joe” b/w “Drivin’s In My Blood” [Jan. 1968]
- “Moonlight Drive In A Diesel” b/w “Diesel Drivin’ Donut Dunkin’ Dan” 
- “My Ramblin’ Boy” b/w “Alcohol and #2 Diesel” [Jan. 1969]
- “Truck Stop” b/w “Bow Legged Sally” 1973 [**MGM single]
Two Willis Brothers “non-truck driving” albums would yield a pair of classic diesel tracks – “Soft Shoulders, Dangerous Curves” from 1966’s Goin’ South and “Drivin’s In My Blood” from (previously-mentioned) 1968 LP Bob.
Note: B-side “When I Come Driving Through” not yet available for preview on YouTube
[Pssst: Click on the triangle to hear “When I Come Driving Through” by The Willis Bros.]
check out the Peter Max-inspired cover for 1973 MGM single “Truck Stop”
Thanks to “outlaw” voices in country music on “renegade” labels, such as Starday and Shelby Singleton’s Plantation Records, the “new social awareness” would begin to inform the country rockin’ scene by the late 1960s. 1970 would see the release of wry 45 “Women’s Liberation”: