Just when you thought you couldn’t take another version of “Steel Guitar Rag,” this 1959 version by The Dynatones, surprisingly (despite the absence of a steel guitar) swaggers:
“Steel Guitar Rag” The Dynatones 1959
Here’s a great swing boogie version by Rudi Wairata & His Hawaiian Boys that brings to mind the radical rockabilly sounds produced by the Brothers Tielman, featuring Andy and his 10-string electric guitar:
“Steel Guitar Rag” Rudi Wairata & His Hawaiian Boys 1963
Roy Smeck‘s manic, rapid-fire arrangement from 1938 still amazes and amuses more than seven decades later:
“Steel Guitar Rag” Roy Smeck 1938
Buck Owens & the Buckaroos, as you would expect, play “Steel Guitar Rag” Bakersfield-style in an arrangement that spotlights the sophisticated steel guitar stylings of Tom Brumley:
“Steel Guitar Rag” Buck Owens & the Buckaroos 1965
If you’re curious to hear “Steel Guitar Rag” as a sax instrumental led by King Curtis, then I have good news: :
“Steel Guitar Rag” King Curtis 1957
Check out Hardrock Gunter‘s version from 1972, with Merle Travis-style multi-track guitars that sound recorded at half-speed for that ‘Alvin & Chipmunk-style’ tinkly effect when played back at regular speed:
“Steel Guitar Rag” Hardrock Gunter 1972
Click here to enjoy an immaculately-recorded western swing version by Kelso Herston & the Funky Guitar Band from 1971 — likewise from Noel Boggs, whose version from 1961 kicks off with bongo drums. Jerry Byrd bequeaths to all of humanity a(n) Hawaiian-flavored version from 1950, while Chet Atkins whips up a crisp country pop arrangement from 1962. John Fahey, unsurprisingly, would arrange his own bottleneck acoustic version, while Barbara Mandrell would do a cracking country jazz version on Johnny Cash’s 1976 Christmas Special.
The (fabulous) Ventures would imbue the song with their own inimitable spirit in 1963, as The Sgro Brothers (Dom & Tony) would record a toe-tappin’ harmonica version in 1975 with the great Johnny Gimble (possibly) on fiddle. Curious to hear a Finnish rockabilly version from The Cosh Boys? Or the astounding Junior Brown playing a tastefully restrained live version? Don’t forget Hank Thompson & the Brazos Valley Boys‘ brash and brassy, Vegas-styled version from country music’s supposed first live album, 1961’s At the Golden Nugget. That same year, Danny & the Zeltones would feed their lead instrument (guitar? keyboard?) through a rotating Leslie speaker on a shuffle version that annoys with its oddly brittle sound.
Note: Many versions of “Steel Guitar Rag” list three composers – McAuliffe, Merle Travis, Cliff Stone – versus the lone songwriting credit for McAuliffe, who first recorded the song with Bob Wills & the Texas Playboys in 1936 on Chicago’s Lake Shore Drive (I assume it’s safe to disregard Rudi Wairata, who would also put in his own songwriting claim in 1963). Song publishers, music historians — what sayeth ye?.
Versions of “Steel Guitar Rag” that I hope to hear some day include the one by Don & Donna & the Gennessee Country Boys, as well as by New Zealand’s own guitar army, The Multiple Guitars of Peter Posa.